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Mike Pride
Percussionist/composer Mike Pride was born and raised in the Portland, Maine area. He has been playing & composing music since he was a child.
While living in Maine, Mike studied with Les Harris, Jr., Bill Street and Matt Wilson, performed with legendary composer & jazz educator David Baker, was involved with experimental, shock-rockers Ned Muffleburger & the DSL's, and co-lead the new music ensemble IMAGINARY QUARTET with guitarist/composer Stik Fortier.
Mike moved to New York City in the year 2000 where he studied briefly with drum & bass master, Amir Ziv. Mike then began studying with the legendary percussionist/healer/teacher, Professor, Milford Graves.
Since his move to NYC, Mike has performed and recorded throughout the U.S. and North America, Europe, Asia, & Australia with many wonderful musicians including:
Karen Borca, Tyondai Braxton, Anthony Braxton, Califone, Daniel Carter, Eugene Chadbourne, Andrew d'Angelo, Jim Denley, Ernesto Diaz-Infante, Trevor Dunn, Brandon Evans, Ken Filiano, Michael Formanek, Chris Forsyth, Marc Gartman, Milford Graves, Curtis Hasselbring, Mark Helias, Fred Hess, Vijay Iyer, Haino Keiji's FUSHITSUSHA, Briggan Krauss, Frank Lowe, Mat Maneri, punk-rock legends MDC (Millions Of Dead Cops), Tony Malaby, Sabir Mateen, Jackson Moore, Butch Morris, Darla recording artists Pale Horse & Rider and Aarktica, William Parker, Matana Roberts, Perry Robinson, Jamie Saft, Sonny Simmons, Chris Speed, Steve Swell, Cuong Vu, Matthew Welch, Nate Wooley, Jack Wright & Otomo Yoshihide.
Since his move in 2000, Mike Pride has been featured on over 40 recordings, many which he is a leader, co-leader or composer.
Mike has been part of many festivals including: Block Island Music Fest 2002 (Rhode Island), CMJ Music Festival 2002, 2005 (NYC), Improvised & Otherwise 2002-2004 (Brooklyn), Now Now Jazz Festival 2003 (Sydney, Australia), Spring Scream 2003-2006 (Kentig, Taiwan), Shi Mo Tsu Ki 2003 (Brooklyn), Bud Fest 2003 (Prague), North By Northeast 2003 (Toronto), K-Town Festival 2003 (Copenhagen), Holidays In The Sun 2003, 2004 (UK), Angry Fish Music Festival 2004 (Windham, Maine), Future Of Experimental Rock Festival 2005 (NYC) & Dumbo Arts Festival 2005 (Brooklyn) among many others.
Mike is currently involved in many projects and leads/composes for many ensembles including:
FROM BACTERIA TO BOYS ("statement musics" for trio)
the MPTHREE (new-music power trio)
Snuggle/Stencil (prog-metal)
Dynamite Club (noise avant-rock)
IXTLAN (tuneful jazz trio)
Evil Eye (modern jazz quartet)
PERIOD & BE MORE NAKED (no-wave guitar & drums duos)
BIG F****ING SELL OUT (e(c)lectric hard-core for quintet or 14 person big band)
he has also composed music for the MTV Production "Room Raiders"....
Mike also currently runs FUNHOLE RECORDING STUDIOS in Brooklyn, NY, and is an active painter, cartoonist, writer & photographer.
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Three-Layer Cake: Sounds The Color Of Grounds
by Mark Corroto
The trio of Mike Watt, Brandon Seabrook and Mike Pride began as a pandemic-era experiment, exchanging music files remotely to create Stove Top (RareNoise, 2021). Now, as Three-Layer Cake, they return with Sounds The Color Of Grounds, a record that reveals a fully realized and cohesive jazz-punk--or perhaps punk-jazz--ensemble. Watt, etched into punk rock's Mt. Rushmore, co-founded the Minutemen with D. Boon in 1980, and later formed fIREHOSE in 1986 following Boon's tragic death. Never confined by genre, ...
Continue ReadingJon Irabagon: I Don't Hear Nothin' but the Blues Volume 3 Part 2: Exuberant Scars
by Hrayr Attarian
Saxophonist Jon Irabagon is a master improviser who routinely creates provocative and moving works. Exuberant Scars, the fourth episode in his I Don't Hear Nothin' But The Blues series is no exception. Irabagon is joined by like-minded musicians on a single, 46-minutes long, spontaneously created piece. Drummer Mike Pride, who has appeared on all four I Don't Hear Nothin' But The Blues, opens the performance with chiming percussion and splashing cymbals. He sets a cinematic ambience. Irabagon's breathy ...
Continue ReadingJonathan Mortiz & Mike Pride: Summertime
by Mark Corroto
Sumertime by the duo of Jonathan Moritz and Mike Pride highlights the distinction between paying attention and attention paid. The former deals with concentration, while the latter concerns awareness or consciousness. With this release or any free improvisation experience, immersion prevails over comprehension. In other words, dig the view instead of building a camp here. Mortiz's saxophone has been paired with Pride's drums in several groups, with Ken Filiano and Nate Wooley, the Jonathan Moritz Trio, and the ...
Continue ReadingJon Irabagon: I Don't Hear Nothin' but the Blues Volume 3 Part 2: Exuberant Scars
by Mark Corroto
Besides being a wunderkind in jazz and improvised music, is Jon Irabagon also a kind of math aesthete? Specifically, does he sometimes dabble in chaos theory? Within the apparent randomness of complex improvised music of Exhuberant Scars, Irabagon finds underlying patterns, interconnections, feedback loops and musical self-organization If one is keeping score, Exhuberant Scars is volume 3, part 2 of Ibragon's I Donʼt Hear Nothinʼ But The Blues (IDHNBTB) series. The concept began as a duo with drummer ...
Continue ReadingJeremiah Cymerman: Body of Light
by Mark Corroto
Body Of Light by clarinetist and composer Jeremiah Cymerman is an album, a collection of recordings that make up a complete work. Cymerman's underlying message here is for the listener to consume these 42 minutes of sound not as four individual tracks but as one whole. Those who are familiar with his music, such as Systema Munditotius, Vol 1 (5049 Records, 2020) and Decay of the Angel (5049 Records, 2018), will know that he works in complete blocks.
Continue ReadingAcceleration Due To Gravity: Jonesville
by Pierre Giroux
Bassist, composer and arranger Moppa Elliott's uniquely-titled nonet Acceleration Due To Gravity presents Jonesville a gravity- defying jazz odyssey. It pays a captivating homage to influential bassist Sam Jones by weaving a sonic tapestry which transcends the boundaries of conventional jazz. In this brief seven-track, twenty-one-minute outing, four compositions are by Elliott, with the remainder being Sam Jones' originals. The members of the octet who participated in this unusual musical excursion are trumpeter Bobby Spellman, trombonist Dave Taylor, alto saxophonist ...
Continue ReadingMoppa Elliott's Acceleration Due To Gravity: Jonesville
by Mike Jurkovic
Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but he sure knows how to let it fly in the music he and his nonet--Acceleration Due to Gravity--put forth on the rightly raucous and ...
Continue ReadingGuitarist Joe Morris Joins Forces With Keyboardist Jamie Saft & Drummer Mike Pride On Microtonal Blues Project Raoul
Source:
hubtone PR
The sound of Joe Morris’ electric guitar, with distortion pedal set on stun and wah-wah pedal fully engaged, colliding with Jamie Saft’s droning, microtonal organ and Mike Pride’s thunderous free drumming approach to the kit creates a mind-numbing maelstrom on The Spanish Donkey's RAOUL, the improvising trio’s debut on RareNoiseRecords. A follow-up to XYX, their 2011 album, which was released on Northern Spy Records. The album consists of three throbbing tracks — the brutal 32-minute title track ‘Raoul, the 22-minute ...
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AUM Fidelity To Release Two CDs By Mike Pride: Birthing Days & Drummer's Corpse
Source:
Steven Joerg
The distinctly gifted New York-based drummer/composer Mike Pride is prolifically active as a leader/accompanist in a wide variety of groups and genres: metal, noise, avant-garde rock, free music, and modern jazz. On May 14, 2013, AUM Fidelity will simultaneously release two of the most potent albums he has created to date. Birthday Days, the new modern jazz work with his From Bacteria To Boys quartet, was recorded within the same month as the maximum intensity avant-garde rock/noise epic, Drummer’s Corpse, ...
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Interview | Mike Pride
Source:
Ars Nova Workshop
Mike Pride’s From Bacteria To Boys has undergone several personnel changes since its formation in 2005. Perpetually evolving in order to realize the development of Pride’s sonic vision, the current quartet version features Peter Bitenc, Darius Jones and Alexis Marcelo, and their Aum Fidelity debut, Betweenwhile, earned a spot on several 2010 year-end lists. In preparation for the upcoming Philadelphia debut of the fresh quartet, Ars Nova Workshop spoke with Pride about the new album, R. Kelly, Reese Witherspoon, and ...
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Mike Pride's from Bacteria to Boys - Betweenwhile (Aum Fidelity, 2010)
Source:
Music and More by Tim Niland
I had grown to enjoy drummer Mike Pride's playing in hell-for-leather duet settings with saxophonist Jon Irabagon like the wonderful I Don't Hear Nothin' But the Blues, but I wasn't prepared for the subtle nature of his approach to this album with his new group From Bacteria to Boys. The band on Betweenwhile is: Mike Pride: drums and compositions, Darius Jones: alto sax, Peter Bitenc: bass and Alexis Marcelo: piano. Pride plays drums, often quiet brushes and a number of ...
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AUM Fidelity to Release Mike Pride's from Bacteria to Boys' Betweenwhile October 12th
Source:
Improvised Communications
AUM Fidelity is proud to announce the October 12th release of Betweenwhile (AUM065), the label debut of prolific New York drummer/composer/artist Mike Pride and his working quartet, From Bacteria To Boys. The group, which performs a distinctive amalgam of groove-based modern jazz, R&B, contemporary classical and chant works, features Darius Jones (alto saxophone), Alexis Marcelo (piano) and Peter Bitenc (bass). This release, the band's first with its current personnel, is named after part of a line from integral influence R. ...
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"Drummer Mike Pride stokes the furnace with fire, while never stinting on finesse." -- Time Out NY
"The drumming, courtesy of Mike Pride, was particularly ferocious and at times bordered on a death metal intensity; it was amazing that the rest of the band [MDC] even managed to keep up with him." -- live4metal.com
"Pride hits both sides of the kit - being the backbone to an ensemble." -- All About Jazz
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From: JonesvilleBy Mike Pride
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