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Charles Goold
After a short-lived pursuance in collegiate track and field at Temple University, studying communications, Goold transferred to the Berklee College of Music where unfortunately after one semester he had to withdraw for financial reasons. Deciding not give up on his dream of becoming a jazz musician, Goold moved back to New York City at the age of 19 and began playing in any musical situation possible.
Finding success after years of hard work through teaching and performing, Goold auditioned and received a full scholarship, subsequently graduating from the Juilliard School along with being awarded the jcaf grant. Goold has performed with a wide variety of acts across varying styles from Wynton Marsalis and The Jazz at Lincoln Center Orchestra, John Hendricks and Johnny O’Neal to rap icons Cam’Ron, Talib Kweli, and Ghostface Killah.
Goold uses these experiences to propel the sound of his group NuBopCity, a blend of Hard Bop, Hip Hop, FUnk and Afro-Carribean influences.
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Noah Haidu: Standards III
by Jack Bowers
Standards III, the ninth album by New York-based pianist Noah Haidu, is essentially a trio date with a guest appearance on one number ("Slipstream") by alto saxophonist Steve Wilson. As was true on Standards (Sunnyside, 2021) and Standards II (Sunnyside, 2024), the inclusion of several unfamiliar themes (including some by Haidu) stretches the meaning of “standard" well beyond what most listeners would consider acceptable. To be fair, there are a liberal number of standards on all three ...
Continue ReadingNoah Haidu: Standards III
by Pierre Giroux
Noah Haidu's Standards III is a study in jazz fluency--an exploration of melody, form, and interplay that reanimates familiar repertoire with both reverence and daring. Following the strong creative thread laid in the first two installments of the standards theme (Standards, 2023 and Standards II, 2024; both on Sunnyside), Haidu again enlists legendary bassist Buster Williams and veteran drummer Billy Hart, whose intuitive communication with the pianist borders on telepathic. Joining this outing is a younger trio, featuring bassist Gervis ...
Continue ReadingChad LB: Time in a Bottle
by Jack Bowers
Sooner or later, jazz musicians--some, that is, not all--who have earned a measure of success decide they would like to try something different. In many cases, that “something different" involves a string section. Among the most recent wayfarers along the string-laden path is New York-based tenor saxophonist Chad LB (shorthand for Lefkowitz-Brown) whose recording, Time in a Bottle, showcases his impressive horn in front of a rhythm section and ten-member string component. The result is much the ...
Continue ReadingVanessa Racci: Jazzy Italian
by Richard J Salvucci
Vanessa Racci describes herself a jazz / cabaret singer of Italian-American descent with a passion for retro jazz and music made famous by Italian Americans. She has a previous album, entitled Italiana Fresca (2017, self-produced), and currently performs several shows that celebrate American jazz composers, Italian American music and contributions to jazz and pop in the US. She is a competent and entertaining singer, lively, and, by the video evidence, vivacious. She may not exactly lead a listener to forget ...
Continue ReadingPat Metheny, Howard Britz & Charles Goold
by Joe Dimino
We start the 751st Episode of Neon Jazz with a relatively new musician that has seen a lot of action in his young life. Drummer Charles Goold kicks things off with a song off his 2022 album Rhythm in Contrast. We also take a look into some new music from veterans of the jazz world in Howard Britz, Gary Brumburgh, Ron Ledoux and Tom Keenlyside. We also include Esther Phillips in the mix and end with Dave Brubeck's classic tune ...
Continue ReadingChad Lefkowitz-Brown and the Global Big Band: Open World
by Jack Bowers
There are times, thanks to the indestructible human spirit, when even the most horrendous scourge--say, a global pandemic that has claimed millions of lives in countries around the world--can lead to the occasional silver lining, a small yet persistent light at the end of a very dark tunnel. Case in point: Open World, a superlative new album by saxophonist Chad Lefkowitz-Brown (commonly known as Chad LB) and the Global Big Band, whose name describes exactly what it is: an ensemble ...
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Music
Never Let Me Go
From: With Peter BradleyBy Charles Goold
Centerpiece
From: Moments of InspirationBy Charles Goold
