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Dannie Richmond

Dannie Richmond was a drummer whose long association with Charles Mingus made him one of the leading percussionists in modern jazz. Richmond was one of jazz's most flexible and responsive drummers, able to supply anything from a gospel stomp to be-bop syncopation to articulate, propulsive free time.

Charles Daniel Richmond was born Dec. 15, 1931, in New York City and grew up in Greensboro, N.C. He began playing tenor saxophone in his teens and returned to New York to study at the Music Center Conservatory. He then began working with rhythm-and-blues groups, including the Clovers, but by 1956 he had quit rhythm-and-blues and begun teaching himself to play drums. At a jam session in the summer of 1956, he sat in with Mingus, and the bassist- composer soon began working with him steadily.

Mr. Richmond's drumming matured alongside Mingus's music, with its far-reaching fusion of modern jazz with blues and gospel roots. Although he performed and recorded with other musicians, among them Chet Baker, Jimmy Knepper and the Mark-Almond Band, he worked with Mingus groups until the bandleader's death in 1979.

Richmond played on the first album by Mingus Dynasty, a repertory group that plays Mingus compositions, then in ‘79 helped found the Adams-Pullen quartet. This latter group was led by two fellow Mingus alumni, George Adams on saxophone and Don Pullen on piano.

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Album Review

Charles Mingus: Mingus in Argentina

Read "Mingus in Argentina" reviewed by Jack Kenny


This latter-day Charles Mingus group is ripe for reassessment. The new guys, Ricky Ford, Robert Neloms and Jack Walrath carried a heavy burden as they toured South America. The two-CD collection is a great feast of Mingus played by a band that, as yet, has never had real recognition. Much of the music was written for the Atlantic albums in the 1970s. According to Sue Mingus, the tour of South America was concerning. She wrote in her book ...

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Album Review

Charles Mingus: In Argentina: The Buenos Aires Concerts

Read "In Argentina: The Buenos Aires Concerts" reviewed by Thierry De Clemensat


Resonance Records specializes in the release of such sonic documents, serving both the history of jazz and the sheer pleasure that albums of this kind offer to collectors. It is, therefore, with immense delight that we rediscover in this recording Charles Mingus (bass and piano), Ricky Ford (tenor saxophone), Jack Walrath (trumpet;), Robert Neloms (piano), Dannie Richmond (drums), and immerse ourselves in the year 1977, when this album was recorded. The era's unmistakable imprint lingers in the sound, though the ...

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Album Review

Charles Mingus: In Argentina: The Buenos Aires Concerts

Read "In Argentina: The Buenos Aires Concerts" reviewed by Pierre Giroux


The Charles Mingus ensemble that arrived in Argentina in 1977 for the Buenos Aires concerts remains one of the lesser-known yet musically potent groups in the bassist-composer's storied history. These concerts are now presented in this first authorized release as a 2-CD set under the title Mingus In Argentina: The Buenos Aires Concerts, offered in a deluxe package that includes detailed notes from Mingus biographer Brian Priestley, recollections from the concerts by Argentinian writer Claudio Parisi, and new interviews with ...

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Album Review

Charles Mingus: In Argentina: The Buenos Aires Concerts

Read "In Argentina: The Buenos Aires Concerts" reviewed by Mike Jurkovic


Here, ladies and gentlemen of the jury, is some seriously swinging, seriously rowdy Charles Mingus. Recorded approximately six months before his fateful diagnosis of ALS (Lou Gehrig's disease) the bassist deploys a street fighting melange--trumpeter Jack Walrath, tenor saxophonist Ricky Ford, pianist Robert Neloms and his wingman, drummer Dannie Richmond--and takes on Buenos Aries with all his righteous force. A celebratory exclusive release for Record Store Day 2025, In Argentina: The Buenos Aires Concerts is really about as hot, honest ...

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Album Review

Charles Mingus: In Argentina: The Buenos Aires Concerts

Read "In Argentina: The Buenos Aires Concerts" reviewed by Dan McClenaghan


So many live jazz dates have been taped over the years. Then the tapes have been shelved. With that in mind, there may be no end to the ongoing supply of uncovered jazz gems begging to be discovered. But Zev Feldman, the Jazz Detective, is doing his best to dig out as many as possible. His discoveries have included formerly unreleased sets by pianists Bill Evans and Art Tatum, saxophonist Sonny Rollins, bandleader Sun Ra, guitarist Wes Montgomery and many ...

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Album Review

Charles Mingus: Charles Mingus Presents Charles Mingus To Pre Bird Revisited

Read "Charles Mingus Presents Charles Mingus To Pre Bird Revisited" reviewed by Chris May


In his liner notes for Charles Mingus Presents Charles Mingus To Pre Bird Revisited, Bill Shoemaker sets out the context in which the two featured albums should be considered. He observes that so enormous was Charles Mingus' artistic vision that no two (or perhaps three) albums can encompass its totality. How true that is, even of the pairing of two Mingus albums that are as different as could be: Charles Mingus Presents Charles Mingus (Candid, 1960) and Pre Bird (Mercury, ...

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Album Review

Charles Mingus: At Antibes 1960 Revisited

Read "At Antibes 1960 Revisited" reviewed by Mark Corroto


At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but this live recording from 1960 at the Antibes Jazz Festival in Juan-les-Pins, France, has a power unique unto itself. One can almost feel the ...

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Ian Rashkin
bass, acoustic

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