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Musician

Dannie Richmond

Born:

Dannie Richmond was a drummer whose long association with Charles Mingus made him one of the leading percussionists in modern jazz. Richmond was one of jazz's most flexible and responsive drummers, able to supply anything from a gospel stomp to be-bop syncopation to articulate, propulsive free time. Charles Daniel Richmond was born Dec. 15, 1931, in New York City and grew up in Greensboro, N.C. He began playing tenor saxophone in his teens and returned to New York to study at the Music Center Conservatory. He then began working with rhythm-and-blues groups, including the Clovers, but by 1956 he had quit rhythm-and-blues and begun teaching himself to play drums

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Article: Album Review

Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly

Read "These Are My Roots: Clifford Jordan Plays Leadbelly" reviewed by Chris May


These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...

Article: Album Review

Charles Mingus: @ Bremen 1964 & 1975

Read "@ Bremen 1964 & 1975" reviewed by Stefano Merighi


"In questo paese--sentenziò Charles Mingus--percepisco ancora intatto il puzzo delle camere a gas e dei campi di concentramento. Ma non fatevi troppi problemi: gli Stati Uniti d'America sono anch'essi un grande campo di concentramento." Il paese era la Germania Ovest, la città era Brema, l'anno il 1964. La dichiarazione è riportata da ...

Album

@ Bremen 1964 & 1975

Label: Sunnyside Records
Released: 2020
Track listing:
CD 1:
Hope So Eric; Fables of Faubus.
CD 2:
Piano Solo; Sophisticated Lady; Parkeriana; Meditations on Integration
CD 3:
Sue's Changes; For Harry Carney.
CD 4:
Free Cell Block F, 'Tis Nazi Usa; Black Bat and Poles; Fables of Faubus; Duke Ellington's Sound of Love; Cherokee; Remember Rockefeller at Attica; Devis Blues

7

Article: Year in Review

Mark Sullivan's Best Releases of 2020

Read "Mark Sullivan's Best Releases of 2020" reviewed by Mark Sullivan


Despite the circumstances, this was a high volume year for album releases, rich in both quantity and quality. Mine is not a ranked listing, but more or less in reverse chronological order. Since I wrote fewer album reviews than average, for the first time I have included several releases that I did not review myself.

13

Article: Album Review

Charles Mingus: @ Bremen 1964 & 1975

Read "@ Bremen 1964 & 1975" reviewed by Mike Jurkovic


It is 1964 and the big bass emperor rules the old continent as he commanded every stage he set foot on. So @ Bremen 1964 & 1975 just does not sound right. Charles Mingus Swings Bad Ass and Liberates Your Body and Your Mind @ Bremen sounds way more like it. For—as much as anything in ...

37

Article: Year in Review

Chris May’s Best Releases Of 2020

Read "Chris May’s Best Releases Of 2020" reviewed by Chris May


Not the best year for live gigs in London, but Dele Sosimi's Afrobeat Orchestra just made it under the wire, lighting up the Jazz Cafe in late January. Rather like Art Blakey's Jazz Messengers, Sosimi's band has form as an incubator of young talent. A recent star in the making was trumpeter Ife Ogunjobi, who has ...

16

Article: Album Review

Charles Mingus: @ Bremen 1964 & 1975

Read "@ Bremen 1964 & 1975" reviewed by Chris May


Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...

37

Article: Building a Jazz Library

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

Read "Blue Note Records: Lost In Space: 20 Overlooked Classic Albums" reviewed by Chris May


For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

33

Article: Building a Jazz Library

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

Read "Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter" reviewed by Chris May


Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.


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