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Jacques Kuba Seguin
Séguin's musical repertoire is by turns melodic, explosive, and accessible. As a performer, he is definitely a showman, and he is recognized as one of the most brilliant trumpeters of his generation.
A winner of the 2012-13 Radio-Canada Revelations prize, Séguin is more and more present on the Quebec stage. In 2015, he was nominated for ADISQ awards in two categories: best arranger and jazz album of the year for L'élévation du point de chute and, in 2016, for Litania Projekt with the Quatuor Bozzini in the same two categories. In 2015, he was nominated for a Prix Opus for jazz album of the year for L'élévation du point de chute, and for jazz and world music concert of the year for his 2014 Montreal International Jazz Festival show, where Jacques presented an expanded version of his Litania Projekt, adding a string quartet to the ensemble.
For more than ten years, Jacques has been regularly touring Europe, especially Poland. In fall 2016, he undertook a 13- concert tour of Poland, Lithuania, and Germany to celebrate the European release of JKS Litania Projekt avec le Quatuor Bozzini by Slovakian jazz label Hevhetia. This same project was later presented in China, Quebec, and the rest of Canada.
He plays regularly with many musicians of the Montreal jazz scene, including Elizabeth Shepherd, Yves Léveillé, Jazzlab, and Philippe Côté. He is also a member of Papagroove, and has accompanied Jean Leloup, Ariane Moffatt, Caïman Fou, Dobacaracol, and Pierre Lapointe, among others. Jacques toured for two years with the Cirque de Soleil's Delirium, performing in 150 cities across the globe.
His discography as composer and bandleader includes five albums, all on the ODD SOUND label, which he founded and runs. As well as producing his albums, Jacques hosts Symphonie en bleu, the ICI Musique Classique radio show that connects classical music and jazz. Finally, he is the artistic director of the Sainte- Cécile instrumental music festival in Poland.
Awards
Jazz revelation Radio-Canada 2012-2013
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JazzLab Orchestra: Loguslabusmuzikus
by Angelo Leonardi
Jazzlab Orchestra è un medio organico costituito da tre ance e due ottoni in varie combinazioni, più una sezione ritmica con pianoforte. Opera da quasi due decenni nel Quebec (Canada), ha pubblicato sette album, collaborato con jazzmen statunitensi di primo piano (Ted Nash, Seamus Blake, Donny McCaslin, Rufus Reid) e dato svariati concerti in Nord America e in Europa, compresa l'Italia (la Casa del Jazz). La caratteristica principale dell'ottetto è la versatilità: grazie alle ottime doti individuali e ...
read moreJazzLab Orchestra: Loguslabusmuzikus
by Chris M. Slawecki
Jazzlab Orchestra has been a fixture on the jazz scene in Canada for nearly two decades. Their unique heavy sound features six brass and reed players with a relatively standard piano, bass and drum rhythm section, and they've captured that sound on several standalone recordings and presented it on more than 300 concert stages across North America and Europe. The music on Loguslabusmuzikus, nine new pieces written by bassist Auguste Le Prez under the subtitle The New Experience: ...
read moreJazzlab Orchestra: Loguslabusmuzikus
by Jack Bowers
The Jazzlab Orchestra, formed in 2004 and based in Montreal, Canada, lies somewhere short of orchestra-size. It's actually an octetbut don't let that deter you; the unison passages are generally robust and pleasing. Jazzlab does play jazz of a sort, music that may best be described as contemporary cerebral. In other words, this is not akin to the Dave Pell or Marty Paich octets; it's more along the lines of Gunther Schuller, Jan Garbarek or William Russo. But even though ...
read moreJacques Kuba Seguin: Migrations
by Dan McClenaghan
Montreal-based trumpeter/composer Jacques Kuba Sequin's Migrations celebrates people from a wide array of cultural communities in Quebec, Canada. The exploration of those multicultural groups results in Sequin's dynamically sculpted sound that is cohesive, celebratory and anthemic. His investigative interviews of the people he is celebrating here reveal a conglomeration of unabashed optimists, glowing with the joy of life. The music doesn't lie. The instrumentation--a sort of Modern Jazz Quartet rhythm section--vibes, piano, bass, drums--paints an understated backdrop for ...
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