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Carmen Quill
Carmen Quill (formerly Carmen Q. Rothwell) is a double bassist, composer, singer and interdisciplinary artist based in Brooklyn, NY. She is recognized for her sound and versatility on the double bass, her captivating performances as a solo artist, and her intuitive sensitivity as an improviser. Her debut solo recording, Don’t Get Comfy / Nowhere (2021), “thrives on the meeting of reservation and vulnerability, and its songs feel as emotional and virtuosic as a power ballad yet are sparse and withholding as a Rembrandt” (Pitchfork). In addition to producing and performing her solo music she performs and releases music as part of the bands tilt, Scree, and a host of other projects and collaborations. Carmen is a 2025 Next Jazz Legacy Awardee (New Music USA).
Carmen is a regular collaborator with/performs in the bands and projects: tilt(Kalia Vandever, Isabel Crespo Pardo), Scree (Ryan El-Solh, Jason Burger), Allan Mednard Trio (Santiago Leibson), and Asa Horvitz’s GHOST (Wayne Horvitz, Ariadne Randall). In 2025, she began performing with Billy Hart and Jacob Sacks in a trio featuring original compositions by all three members, with support from Next Jazz Legacy. Carmen has also performed with musicians including David Murray, Chris Cheek, Cuong Vu, Ted Poor, Anna RG, Joey Baron, Ben Monder, Andrew D’Angelo, and Dave Douglas.
In 2024, tilt (Isa Crespo Pardo, Kalia Vandever, Carmen Quill) released their debut album, something we once knew, featuring compositions by each of the three members. They have performed across the US, including appearances at Big Ears Festival (2025), Bang on a Can’s LOUD Weekend (2024), and Westerlies Fest (2024).
In 2023, Carmen performed in Asa Horvitz’s interdisciplinary theater production GHOST which premiered in Vienna, Austria with support from Musiktheatertage Wien, Het HEM, Muziekgebouw Productiehuis, and more. In addition to performing in this music-based choreographic piece, Carmen contributed extensive musical direction alongside Horvitz during the creation of the work from 2019-2023. GHOST, the record, was released in 2025. See the interactive digital version of GHOST here.
In 2022, Don’t Get Comfy / Nowhere was set to a new ballet by the same name, choreographed by Tiffany Mangulabnan and premiered by the Brooklyn dance company Konverjdans.
Carmen and her varied works as a leader and collaborator have been supported and shaped by institutions and organizations including New Music USA, Earshot Jazz Festival, Ruination Record Co., Seattle Improvised Music Festival, SPRING Performing Arts Festival, brutWien, The Owl Music Parlor, Whatever’s Clever, Winter Jazz Festival, The Stone NYC, Lions With Wings, DaCamera Chamber Music and Jazz, KNKX, and University of Washington (BM).
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Album Review
Allegra Levy: Lose My Number
by Angelo Leonardi
Dopo aver esplorato nell'ultimo Looking at the Moon tredici song ispirati alla luna (dai classici standard Blue Moon" e Moon River" ai più recenti Harvest Moon" di Neil Young e Pink Moon" di Nick Drake) la cantante Allegra Levy sviluppa nel quarto disco un percorso più impegnativo. Ha scritto delle liriche per nove composizioni di John McNeil, che è stato suo insegnante e mentore al New England Conservatory e l'ha supportata anche in altre incisioni. Il trombettista californiano è ...
Continue Reading...Allegra Levy: Lose My Number
by Jerome Wilson
Allegra Levy is a young singer who has made a reputation for herself through her witty songwriting and performing. She has sung a lot of her own songs on previous releases but on this one, she changes things slightly by writing her own lyrics to the music of trumpet player John McNeil. McNeil was Levy's mentor at the New England Conservatory and she complements his slightly off-balance tunes with lyrics that range from the dark and sardonic to ...
Continue Reading...Dave Douglas: Dizzy Atmosphere: Dizzy Gillespie At Zero Gravity
by Giuseppe Segala
Chi si aspetta da questo disco un omaggio fedele all'approccio umoristico e pirotecnico di Dizzy Gillespie, non conosce Dave Douglas. Il trombettista, che ha compiuto lo scorso marzo cinquantasette anni, ha mostrato nelle frequenti dediche ai protagonisti della storia del jazz la propria propensione del tutto personale a tale pratica: lo ha fatto tra l'altro con Mary Lou Williams, Wayne Shorter, Booker Little. Nello splendido Devotion, pubblicato lo scorso anno, in trio con Uri Caine e Andrew Cyrille, c'erano pure ...
Continue Reading...Dave Douglas: Dizzy Atmosphere: Dizzy Gillespie At Zero Gravity
by Dan McClenaghan
The distinctive trumpet of Dizzy Gillespie (1917-1993), with the idiosyncratic upward angle of its bell, is transformed into a starship on the cover of Dave Douglas' Dizzy Atmosphere: Dizzy Gillespie in Zero Gravity, seemingly soaring above the stratosphere, in Earth orbit. Douglas has a history of nodding to past greats: pianist Mary Lou Williams on Soul On Soul (Sony Legacy, 2000), saxophonist Wayne Shorter on Stargazer (Arabesque, 1997), and on a pair of Riverside discs that explored the music of ...
Continue Reading...Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions. Seattle's creative pulse is often driven by boomerang musicians like trumpeter Thomas Marriott and drummer Matt Jorgensen, who headed to New York, but eventually ...
Continue Reading...Music
Samba de Beach
From: Lose My NumberBy Carmen Quill

