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Adam Benjamin
Carl Schultz: The Road to Trantor
by Jack Bowers
Saxophonist Carl Schultz composed The Road to Trantor as the soundtrack to a science fiction film. The kicker is that the film exists only in Schultz's head. When writing each song, he tried to envision the scene in which it would be used. In that sense, the music is thematic, even though the themes are known only to Schultz. In charting his singular course, the California-based artist drew heavily on novels by Isaac Asimov. “Trantor" is one ...
Continue ReadingManzanita Quintet: Osmosis
by Dan McClenaghan
The tried and true quintet formation, set in stone by alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie in the late 1940s, is back in 2022 with the Reno, Nevada-based Manzanita Quintet. So how do they give a fresh shine to a sound that could be considered “done to death?" On Osmosis the guys go at it with some fresh compositions, four by the group's bassist, Hans Halt, two more from their saxophonist, Peter Epstein, one from ...
Continue ReadingKneebody: Chapters
by Emmanuel Di Tommaso
Chapters è il nono disco in studio degli americani Kneebody, il quartetto fondato nel 2001 fra le aule della Eastman School of Music di Rochester dagli allora studenti Adam Benjamin, Ben Wendel, Shane Endsley e Kaveh Rastegar, a cui si aggiunse successivamente Nate Wood. A tre anni dal solido Anti-Hero, un disco rassicurante nella misura in cui i Kneebody facevano esattamente ciò che sanno fare senza particolari stravolgimenti, questo album pubblicato dalla Edition Records riserva numerose sorprese. Ormai riconosciuti da ...
Continue ReadingKneebody: Chapters
by Mike Jacobs
Chapters--the title of Kneebody's 2019 release--has a certain appropriateness, as it definitely marks several new ones for the band. One being that lyric-oriented songs account for nearly half of the material on the album. Technically, vocals are nothing new to Kneebody. The band included one track with vocals on their 2002 proto-Kneebody album Wendel. Its 2009 collaborative effort with Theo Bleckmann, Twelve Songs of Charles Ives (Winter and Winter, 2008) was nominated for a Grammy and indeed their recent EP ...
Continue ReadingDave Douglas and Keystone: Moonshine
by Matthew Miller
Dave Douglas is not your typical iconoclast. The progressive trumpeter--a mainstay of John Zorn's Masada and more typically avant-garde groups--favors an understated upheaval in his efforts as a leader, courting, in the words of writer Andy Battaglia “tradition and progression without puzzling over the difference." On Moonshine, his second album with Keystone, a sextet featuring Marcus Strickland (saxophone), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums) and DJ Olive (turntables and laptop), Douglas once again focuses his modernist ...
Continue ReadingDave Douglas & Keystone: Moonshine
by Mark F. Turner
As one of jazz's most omnivorous thinkers, trumpeter/composer Dave Douglas continues to explore ideas outside of the norm. Moonshine is a continuation with Keystone--an electric sextet that includes Marcus Strickland (saxophones), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums), and DJ Olive (turntables)--exploring in music, the life and art of 1920s silent film actor/director Roscoe “Fatty" Arbuckle, whose career was abruptly ended when he was falsely accused of murder. Whether or not Douglas' odd juxtaposition ...
Continue ReadingDave Douglas & Keystone: Moonshine
by John Kelman
It's unlikely that Dave Douglas expected the Grammy-nominated Keystone (Greenleaf Music, 2005) to turn into an ongoing project, but as a parallel to his quintet of the past half decade, the trumpeter has forged a distinct entity with the group he now calls Keystone. This sextet shares some commonality with the quintet responsible for Meaning and Mystery (Greenleaf, 2006), but there are just as many differences, if not more. Moonshine affirms that Keystone is a band with a very different ...
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Music
Ecumenopolis
From: The Road to TrantorBy Adam Benjamin
Hansepts
From: OsmosisBy Adam Benjamin
Similar
Charlie Parker
saxophone, alto
Nels Cline
guitar, electric
Frank Briggs
drums
