German pianist Walter Lang
leads something of a double life, musically. On the one hand, he fronts standard piano trios with an impressionist bentin the mode of a Marc Copland
on recordings like Softly As In A Morning Sunrise
(Hagel Neyer Records, 2005) and Eurasia
(M & I Records, 2009); on another hand, he heads up Trio ELF, a group with very modernized approach to the piano trio format, one that incorporates synth-like grooves and dance club beats, and staccato hip hop rhythms. Music Box Music
is the group's sixth album, and in keeping with the precision aspect of actual music boxeseighteenth versions of the contraptions were crafted by Swiss watchmakersELF's sound incorporates an often machine-like rhythmic precision, due in large part due to the inputs of bassist Peter Cudek
and drummer Gerwin Eisenhauer
Though precise, the sounds of music boxes were/are delicately pretty sounds. Lang produces that atmosphere on the opening of "Danca Da Fita," with a light plinking of the keys on a deliciously coy melody, before the bass and drum come in to supply a relentless momentum. On "Stadium," Lang opens with deep, bell tolling notes that shiftwith the entry of his band matesinto a dance club groove.
Unrelenting, inflexible rhythms are often backdrops for Lang's gentler, more pastoral, more impressionist side. "Emptiness" begins with a brooding piano reverie, backed by softly mechanistic, D.J.-esque brushwork from Eisenhauer. "Tripolis" features Lang laying down a catchy melody, then changing gears to slip into an electric music box, plugged-in-at-the-club trio mode. "Salutation To the Sun" radiates hope, optimism. Music Box Music
walks a line, with perfect balance, between the modernistic, hyper-rhythmic piano trio, and the more lyrical, traditional side of the format.
Emptiness; Prelude To ELF Police; The ELF Police; Tripolis; Salutation To The Sun; Usain; Lullaby For A Weakling Child; Danca Da Fita; Suq.
Walter Lang: piano; Gerwin Eisenhauer: drums; Petr Cudex: bass.