Touch guitar ace Trey Gunn composed this album based upon Marco Minnemann's 51-minute Normalizer 2 drum solo. Thankfully, this is not a bash fest; instead, the drummer's rhythmic foray features odd-metered polyrhythmic episodes and textural cymbal swashes amid a cavalcade of salient percussive concepts.
The preponderance of the largely, contiguous tracks do indeed pronounce a modulating framework; on "Flood," the duo exercises restraint to complement the sinuous journey. Gunn's limber touch guitar work encompasses fretless guitar and basses to complement his electronics overlays. Yet, "Flood" is a piece that typifies many of the other tracks, due to the musicians' fluctuating paradigms, ambient treatments and stinging trade-offs.
They abide by a capacious mindset, whether Minnenmann is throttling matters into overdrive, or Gunn is dishing out a prismatic array of soundscapes. The artists feign over-indulgences, and sustain interest by fusing disparate sounds and intricately devised grooves into these rapidly-moving parts.
Learning Jazz gave me a masters degree in music. Jazz is American Classical Music, came
out of a need to be heard, to be understood, a voice when black America did not have one.
This is why the music is more than just an art form, it was created from blood, guts and heart
of those who suffered in this world. Its not to be taken lightly. If you do take it lightly it will
never sound right. Thank you to all the courageous musicians who made the world hear
them, their innovation came out of their experiences of the time that they lived. A treasure to
the world. American Classical Music. Imitate, Assimilate, Innovate a quote by Clark Terry.