Touch guitar ace Trey Gunn composed this album based upon Marco Minnemann's 51-minute Normalizer 2 drum solo. Thankfully, this is not a bash fest; instead, the drummer's rhythmic foray features odd-metered polyrhythmic episodes and textural cymbal swashes amid a cavalcade of salient percussive concepts.
The preponderance of the largely, contiguous tracks do indeed pronounce a modulating framework; on "Flood," the duo exercises restraint to complement the sinuous journey. Gunn's limber touch guitar work encompasses fretless guitar and basses to complement his electronics overlays. Yet, "Flood" is a piece that typifies many of the other tracks, due to the musicians' fluctuating paradigms, ambient treatments and stinging trade-offs.
They abide by a capacious mindset, whether Minnenmann is throttling matters into overdrive, or Gunn is dishing out a prismatic array of soundscapes. The artists feign over-indulgences, and sustain interest by fusing disparate sounds and intricately devised grooves into these rapidly-moving parts.
World music pioneer Adam Rudolph and his groundbreaking Go: Organic Orchestra join forces with Brooklyn Raga Massive to create the monumental new album, Ragmala – A Garland of Ragas (Meta Records). Ragmala bridges generations, cultures and traditions in a deep-rooted, forward-looking sound born of 21st-century innovation and hybrid voices. Epic in scale and ambition, the project features 40 world-class musicians including Gnawa master musician Hassan Hakmoun, legendary drummer/percussionist Hamid Drake, forward-thinking cornetist Graham Haynes, and tradition-blurring flutist...
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