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Rachelle Garniez: Melusine Years
Di più non poteva, tranne che consegnarci questa nuova prova che sta alle ubriacanti gentilezze stile Tom Waits come il cacio sui maccheroni (“Tourmaline”, “Blue Blue Grass of Home”). Gli odori, gli umori che sprizza dalla sua fisarmonica hanno il profumo delicato dei primi soli primaverili (“Back In The Day”), i brividi di freddo di albe passate ad aspettare che qualcosa accadesse (“After the After Party”).
Di desolati e silenziosi e blueseggianti scenari alla Paris Texas (“Shoemaker’s Children”). Insomma la ragazza con fisarmonica al seguito è terribile. La sua voce è come un vecchio coltello sdentato, la sua ironia brucia più dell’acido (“The Best Revenge”, “Pre-Post Apocalypse”).
Matt Munisteri (banjo e chitarre) e David Hofstra (basso acustico e tuba) colorano le sue sghembe idee. Il suo romanticismo stonato è merce davvero rara.
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