Home » Jazz Articles » Live Review » Melissa Stylianou Quartet: New York City, NY, April 3, 2012
Melissa Stylianou Quartet: New York City, NY, April 3, 2012
Jazz Standard
New York, NY
April 3, 2012
During the second set of Toronto-born Melissa Stylianou's CD release event for Silent Movie (Anzic, 2012) at New York's Jazz Standard, the vocalist kicked things off with a rendition of Rodgers and Hammerstein's "It Might As Well Be Spring," played at a slow tempo and showcasing guitarist Pete McCann.
The band was rounded out by pianist James Reynolds, bassist Gary Wong and drummer Mike Ferber who, with the exception of Ferber, all played on the album. Stylianou then presented the title track, an original composition co-written with Reynolds. The tune featured guest saxophonist/clarinetist Anat Cohen, who took the ballad in a bluesy direction with her nuanced improvisations.
Among the highlights from the set was the band's treatment of singer/songwriter James Taylor's early hit, "Something In The Way She Moves." While McCann approached it with a finger-picking style similar to what can be heard on Taylor's original recording, the band took the tune in more of a slow-jazz direction, thus creating an intriguing sonic blend. Also notable was her take on Cat Stevens' "Ruby Love," featuring McCann on mandolin and the bandleader on ukulele. It was a fun moment with a Mediterranean feel that allowed Cohen to perform an accomplished solo on soprano saxophone with a Klezmer-like sound.
Another memorable moment came with a rendition of Tom Ze's Portuguese-language "Menina Amanha de Manha," a baiao (a syncopated rhythm from Northeastern Brazil) with nonsensical lyrics that gave both Ferber and guest percussionist James Shipp to stand out and exercise their dexterity.
The set ended with Fats Waller's "Jitterbug Waltz, featuring all eight musicians (including guitarist Gene Bertoncini, who was on hand during part of the show). The set ran a bit longer than usual for the venue, but it was a comprehensive showcase of Stylianou's eclectic style and vocal talent.
About Melissa Stylianou
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.


.jpg)



