Home » Jazz Articles » Album Review » Mary Stallings: Live At the Village Vanguard

163

Mary Stallings: Live At the Village Vanguard

Mary Stallings: Live At the Village Vanguard

Veteran vocalist with Dizzy Gillespie, Billy Eckstine, and The Count Basie Band steps out on her own into the spotlight of Jazz's most sacred club with an interesting set of Standards.

In New York's most venerated jazz club, San Francisco native Mary Stallings fires her ten-gauge contralto at a dizzying array of the American Songbook, hitting those pages not previously dog-eared by other artists. Fronting Eric Reed's fine tenor-lead quartet, Ms. Stallings steps up and just opens her mouth, expelling history. She begins her Village Vanguard stand with the rocking "I Love Being Here with You" and spins her way through all tempos and moods. Her ballad singing is sensitive and informed on "You're Sensational", "Sunday Kind of Love", and "All Night Long". Her voice gently waltzes with these less oft performed tunes, making them sound like earth poetry. She is equally convincing on the up tempo numbers— check out "Lullaby of the Leaves." Her phrasing is all her own and has changed little since Dizzy, Billy, and Bill.

Marsalis-alum Eric Reed has been making the rounds as composer, performer, and accompanist since leaving the Marsalis fold. Typical of all Marsalis alumni, Reed swings harder and more freely here than he ever did under Wynton's tutelage. Marsalis is the modern Blakey, he gets his musicians started to go on to bigger and better things. Ron Blake's tenor is full throated and a perfect match of Stallings' firearm talent. Vicente Archer and Carl Allen very much hold down the fort in the rhythm section. This may be MAXJAZZ's finest release yet in their "Vocal Series". A great start in the arena of live-in-performance music.

Personnel

Album information

Title: Live At The Village Vanguard | Year Released: 2001 | Record Label: Sony Urban Music

Tags

Comments


PREVIOUS / NEXT



Mary Stallings Concerts


Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Keep it Movin'
William Hill III
After the Last Sky
Anouar Brahem
With Strings
George Coleman
Lovely Day (s)
Roberto Magris

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.