Mary Stallings
Although Mary took time off from touring and recording during the '70's, she never stopped singing. So when she re-emerged back onto the jazz scene reinvigorated, with a sound that gave homage to her past but held a freshness and vigor, she immediately caught the attention of the music press, who called her "stunning" and a "jazz vocal sensation." During this period, she released several critically acclaimed CDs, one which made many of the year-end "best-of" lists, another that went to the top 10 on the Gavin Jazz Chart. Today, Mary Stallings combines the grace and grandeur of experience with an undiluted passion for performing in her Live At The Village Vanguard release. With its blend of old and new, smoky standards and take-your-breath-away ballads, the CD, in many ways, reflects this current milestone in Mary's career. "This is the right time for me to be singing these songs," she says. "I pick songs that feel delicious to me, songs that I relate to at the time, songs that I love. That's what you'll find here."
Tags
Album Review
- Live At the Village Vanguard by C. Michael Bailey
- Live at the Village Vanguard by Mathew Bahl
- Remember Love by Andrew Rowan
Radio & Podcasts
Album Review
- Songs Were Made to Sing by Dave Linn
May 02, 2023
Smoke Jazz Club Announces June Line-Up With NEA Jazz Master George...
April 01, 2022
Mary Stallings: Songs Were Made to Sing
February 13, 2015
Jazz this week: Mary Stallings, Erin Bode, Dalton Ridenhour, and more
September 02, 2010
Dave Bass Quartet Featuring Ernie Watts, Babatunde Lea, Mary Stallings,...
March 20, 2008
“Stallings’ voice is supple and timeless... encompassing the whole history of music." San Francisco Chronicle
“Stallings sounds like Carmen McRae with some Dinah Washington sass thrown in. Stallings doesn't flit around or complicate her singing with oblique swirls and curlicues like many younger jazz singers. She stays closer to the blues, laying down the ballad ‘Sunday Kind of Love’ with fine, feminine ardor.” Philadelphia Inquirer