Home » Jazz Articles » Album Review » Oliver Lake: Lake/Tchicai/Osgood/Westergaard
Oliver Lake: Lake/Tchicai/Osgood/Westergaard
Osgood begins the first track, "Azurite, with a nimble tribal beat, which Lake and Tchicai follow up with seductive and equally nimble solos. Composed by Tchicai, its gripping melodic energy permeates the rest of the record, giving the studio recording the type of force usually present only in live concerts. At the end of the tune, Osgood expands on the opening beat in a mesmerizing solo that shows off his dexterity and skill.
"Turku Boogie, composed by Westergaard, ventures into swing territory, eventually giving way to a mellifluous, meditative solo by Lake whose tone is gentle yet forceful and it dances thoughtfully across the tune, adding depth to the light swing tempo.
Strangely enough, Lake composed only one of the eight songs on the record. Though "Valley Sketch begins with an aggressive percussion rhythm, it maintains the hard swinging buoyancy present in the rest of the album. Tchicai performs a sparse yet complex solo, which Westergaard complements with his own commanding bass lead.
"Smiling Billy Higgins, composed by Osgood, swings just as hard as "Turku Boogie and features yet another brisk, dizzying solo by Lake. He and Osgood dive into a highly energetic duet that makes the tune the perfect conclusion to a spiritually sumptuous record. With Lake's avant-garde leanings and the quartet's compositional diversity, this is an insightful and wholly satisfying record.
Track Listing
Azurite; Valley Sketch; Loop for Susan; Turku Boogie; Der Er Stilhed I Tingene; Osgood in Asgaard; Spirit; Smiling Billy Higgins.
Personnel
Oliver Lake
saxophoneOliver Lake: alto saxophone/poetry; John Tchicai: tenor saxophone/poetry; Kresten Osgood: drums; Jonas Westergaard: bass.
Album information
Title: Lake/Tchicai/Osgood/Westergaard | Year Released: 2007 | Record Label: Passin' Thru Records
About Oliver Lake
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






