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Oliver Lake
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Born in Marianna, Arkansas in 1942, Oliver moved to St. Louis at the age of two. He began drawing at the age of thirteen (and paints daily, using oil, acrylics, wood, canvas, and mixed media), and soon after began playing cymbals and bass drum in various drum and bugle corps. At 17, he began to take a serious interest in jazz. Like many other members of BAG and its Chicago-based sister organization, the Association for the Advancement of Creative Musicians (AACM), Lake moved to New York in the mid-'70s, working the fertile ground of the downtown loft scene and quickly establishing himself as one of its most adventurous and multi-faceted artists. A co-founder of the internationally acclaimed World Saxophone Quartet with Hemphill, Hamiet Bluiett and David Murray in 1977 (and recently celebrating its 26th anniversary with an album of Jimi Hendrix pieces for Justin Time Records), Oliver continued to work with the WSQ and his own various groups - including the groundbreaking roots/reggae ensemble Jump Up - and collaborating with many notable choreographers, poets and a veritable Who's Who of the progressive jazz scene of the late 20th century, performing all over the U.S
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill
by Mark Corroto
Let us borrow a famous tagline from the dairy industry: Got Hemphill? If not, it is time to take a closer listen. Julius Hemphill (1938-1995) was a towering figure in the creative music scenes of both St. Louis, where he co-founded the Black Artists' Group (BAG), and New York's vibrant loft jazz scene of the 1970s ...
Jason Moran at The Apollo Theater
by Paul Reynolds
Jason Moran Apollo Theater “Ellington in Focus" New York, NY April 11, 2025 The works of jazz's greatest composer, played brilliantly by a current master, alone at a concert grand piano. Jason Moran's solo tribute to Duke Ellington last Friday could have triumphed on any stage or in any context. ...
Mark Masters Ensemble: Sui Generis
by Angelo Leonardi
Dopo aver creato nell'ultimo album nuovi arrangiamenti per i classici ellingtoniani dei primi anni quaranta (Masters & Baron Meet Blanton & Webster, Capri Records), il notevole orchestratore californiano riduce l'organico e presenta un repertorio tutto suo. Dalla precedente incisione resta solo il trombettista Tim Hagans che ha il ruolo di principale solista. Il titolo ...
Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original
by Dean Nardi
One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question & Answer interview is edited to remove repetitive comments and all the “ums" ...
Michael McNeil, Emily Remler, and Miles Okazaki
by Jerome Wilson
This show features recent releases by Michael McNeil, Emily Remler, and Miles Okazaki. In addition, there is older work by Joe McPhee. Daniel Hersog, and Oliver Lake. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Daniel Hersog ...
Anthony Braxton Saxophone Quartet: Sax QT (Lorraine) 2022
by Alberto Bazzurro
A mezzo secolo esatto dal suo primo esperimento in materia, la “Composition 23A" (rombo-30-EGN-KBM-78, secondo la connotazione grafica tipica delle pagine braxtoniane dell'epoca, che qui non possiamo per ovvi motivi riprodurre nella sua completezza) datata fra il 27 settembre e il 16 ottobre 1974 e riunita poi con altre cinque di diversa natura in New York, ...
Brandon Ross Phantom Station: Off the End
by Vic Albani
"Navigando tra luce e oscurità, con Off the End, Brandon Ross Phantom Station offre una cerimonia che è allo stesso tempo aperta e strettamente focalizzata, rivelando uno spirito impavido slegato da vincoli stilistici." Le poche parole tratte dalla recensione pubblicata da “Jazz Trail" inquadrano perfettamente e in poche parole il sunto stilistico del nuovo lavoro discografico ...
Rich Halley 4: Dusk And Dawn
by Glenn Astarita
Rich Halley 4's Dusk and Dawn, is a noteworthy testament to the power of jazz as a narrative medium. The album captures the essence of transitional moments, both in time and sound, weaving a tapestry of intricate melodies and intriguing improvisational sequences. Halley, a veteran of the jazz scene with twenty-six recordings as a leader and ...
