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About Oliver Lake

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Musician

Oliver Lake

Born:

Born in Marianna, Arkansas in 1942, Oliver moved to St. Louis at the age of two. He began drawing at the age of thirteen (and paints daily, using oil, acrylics, wood, canvas, and mixed media), and soon after began playing cymbals and bass drum in various drum and bugle corps. At 17, he began to take a serious interest in jazz. Like many other members of BAG and its Chicago-based sister organization, the Association for the Advancement of Creative Musicians (AACM), Lake moved to New York in the mid-'70s, working the fertile ground of the downtown loft scene and quickly establishing himself as one of its most adventurous and multi-faceted artists. A co-founder of the internationally acclaimed World Saxophone Quartet with Hemphill, Hamiet Bluiett and David Murray in 1977 (and recently celebrating its 26th anniversary with an album of Jimi Hendrix pieces for Justin Time Records), Oliver continued to work with the WSQ and his own various groups - including the groundbreaking roots/reggae ensemble Jump Up - and collaborating with many notable choreographers, poets and a veritable Who's Who of the progressive jazz scene of the late 20th century, performing all over the U.S

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Article: Radio & Podcasts

Preview of John Coltrane special; Birthday recognition for Jon Hendricks, Oliver Lake, and others

Read "Preview of John Coltrane special; Birthday recognition for Jon Hendricks, Oliver Lake, and others" reviewed by David W. Daniels

by David W. Daniels

In addition to previewing next week's John Coltrane special and the named birthday recognitions, this episode of Exploration includes classics from Bobby Hutcherson, Harold Land, and others. New music from Terje Gewalt, Branford Marsalis with Dianne Reeves, and Ross Valory are also included. Playlist John Coltrane “A Love Supreme Pt. 1: Acknowledgement" from A ...

21

Article: Jazz Raconteurs

Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary

Read "Julius Hemphill: Marty Ehrlich and Tim Berne Remember a Musical Visionary" reviewed by Dave Kaufman

by Dave Kaufman

Julius Hemphill, a brilliant alto saxophonist and extraordinary composer, was a towering figure in avant-garde jazz and creative music. Yet his body of work remains surprisingly little known, even among aficionados of this sort of adventurous music. Hemphill's music demonstrated a deep feeling for the blues and other African American traditions. His creative vision extended well ...

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Article: Album Review

David Virelles: Creative Inspirations

Read "Creative Inspirations" reviewed by Mike Jurkovic

by Mike Jurkovic

Though we can likely assume that any music brought to life by pianist David Virelles, with his uncanny ability to make even the most jagged improvisation sound like yesteryear's standard, bassist Reggie Workman, who at eighty-eight still plays like the young turk afire alongside John Coltrane at the Village Vanguard, and drummer Andrew Cyrille who, at ...

1

Article: Radio & Podcasts

Franklin Kiermyer, Pascal Niggenkemper & Lao Dan

Read "Franklin Kiermyer, Pascal Niggenkemper & Lao Dan" reviewed by Maurice Hogue

by Maurice Hogue

Follow the bouncing geographic ball in this episode as it lands on disparate places in the jazz universe, starting with ferocious yet spiritual drummer Franklin Kiermyer and his startling new release Scatter The Atoms That Remain. Kiermyer has long been associated with the spiritualism of the Coltranes, Pharoah Sanders, etc. and he's been spending much time ...

Article: Radio & Podcasts

Music from Charles Tyler, The Webber Morris Big Band, and Italy and Scandinavia

Read "Music from Charles Tyler, The Webber Morris Big Band, and Italy and Scandinavia" reviewed by Jon Greenbaum

by Jon Greenbaum

Music from Charles Tyler, The Webber Morris Big Band, as well as releases from Scandinavia, Italy and elsewhere around Europe. Playlist Anna Webber/Angela Morris Big Band “Both Are True" from Both Are True (Greenleaf Music) 00:00 Brandon Seabrook “Hellbent Daydream" from Hellbent Daydream (Pyroclastic Records) 09:39 Craig Taborn, Tomeka Reid, Ches Smith “When Kabuya ...

15

Article: Interview

Dave McMurray Hears Himself In All Of Detroit's Music

Read "Dave McMurray Hears Himself In All Of Detroit's Music" reviewed by John Chacona

by John Chacona

Saxophonist and composer Dave McMurray has much of the celebrated history of Detroit music in his memory and under his fingers. Now 70, and with four acclaimed releases on the storied Blue Note label, he is arguably at the pinnacle of a long and remarkably varied career. All the strands of that career are ...

1

Article: Radio & Podcasts

Thomas Strønen, Gard Nillsen, Things Of This Nature & Atlas Maior

Read "Thomas Strønen, Gard Nillsen, Things Of This Nature & Atlas Maior" reviewed by Maurice Hogue

by Maurice Hogue

Norway is a country that punches way above its weight when it comes to producing excellent jazz musicians, and two of the best drummers from that country have released excellent recordings of late: Thomas Strønen & Time Is A Blind Guide's Off Stillness and Gard Nilssen with an expanded Acoustic Unity, celebrating their tenth anniversary. The ...

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Article: Album Review

Silke Eberhard Trio: Being-A-Ning

Read "Being-A-Ning" reviewed by John Sharpe

by John Sharpe

Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...

10

Article: Album Review

The Hemphill Stringtet: The Hemphill Stringtet Plays the Music of Julius Hemphill

Read "The Hemphill Stringtet Plays the Music of Julius Hemphill" reviewed by Mark Corroto

by Mark Corroto

Let us borrow a famous tagline from the dairy industry: Got Hemphill? If not, it is time to take a closer listen. Julius Hemphill (1938-1995) was a towering figure in the creative music scenes of both St. Louis, where he co-founded the Black Artists' Group (BAG), and New York's vibrant loft jazz scene of the 1970s ...


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