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MUSICIAN Born:

Oliver Lake

Born in Marianna, Arkansas in 1942, Oliver moved to St. Louis at the age of two. He began drawing at the age of thirteen (and paints daily, using oil, acrylics, wood, canvas, and mixed media), and soon after began playing cymbals and bass drum in various drum and bugle corps. At 17, he began to take a serious interest in jazz. Like many other members of BAG and its Chicago-based sister organization, the Association for the Advancement of Creative Musicians (AACM), Lake moved to New York in the mid-'70s, working the fertile ground of the downtown loft scene and quickly establishing himself as one of its most adventurous and multi-faceted artists. A co-founder of the internationally acclaimed World Saxophone Quartet with Hemphill, Hamiet Bluiett and David Murray in 1977 (and recently celebrating its 26th anniversary with an album of Jimi Hendrix pieces for Justin Time Records), Oliver continued to work with the WSQ and his own various groups - including the groundbreaking roots/reggae ensemble Jump Up - and collaborating with many notable choreographers, poets and a veritable Who's Who of the progressive jazz scene of the late 20th century, performing all over the U.S

ARTICLE: ALBUM REVIEW

Logan Strosahl: Sure

Read "Sure" reviewed by Angelo Leonardi

A soli trent'anni il sassofonista Logan Strosahl registra il quarto disco da leader, dopo aver bruciato letteralmente le tappe. Nato a Seattle, a 22 anni s'è laureato al New England Conservatory, dove ha studiato composizione e approfondito il folklore turco e la musica polifonica europea del 1500. Negli stessi anni ha perfezionato teoria e pratica jazzistica ...

ARTICLE: HISTORY OF JAZZ

Leo Smith and New Dalta Ahkri

Read "Leo Smith and New Dalta Ahkri" reviewed by Daniel Barbiero

Coming to New England: Emerson, Ives and Brown When trumpeter/composer Leo Smith returned to the United States after having spent 1969-1970 in Europe, he settled not in New York, as most jazz musicians might be expected to do, or even in jny: Chicago, where he'd spent a fruitful several years in the 1960s. Instead, he chose ...

ARTICLE: ALBUM REVIEW

Ross Hammond - Oliver Lake - Mike Pride: Our Place On The Wheel

Read "Our Place On The Wheel" reviewed by Mark Corroto

Let's make the blues great again. Like a certain political slogan from the 2016 election, the blues, like America, has always been great. Guitarist Ross Hammond's blues are also analogous to the American experience, with his diverse and heterogeneous perspective. His trio recording Our Place On The Wheel reflects this variegated approach. The 'great' part is ...

ARTICLE: LIVE REVIEW

Harriet Tubman at SFJAZZ

Read "Harriet Tubman at SFJAZZ" reviewed by Harry S. Pariser

Harriet Tubman SFJAZZ San Francisco, CA January 23, 2020 The electric bass, electric guitar and drum trio Harriet Tubman stands apart in the music world. As guitarist Brandon Ross notes, they are electrified yet based on spiritual influences such as the late Alice Coltrane, the late John Coltrane's wife who ran ...

NEWS: EVENT

2020 NEA Jazz Masters to be Honored at Events April 1-3 at SFJAZZ in San Francisco

2020 NEA Jazz Masters to be Honored at Events April 1-3 at SFJAZZ in San Francisco

Join the National Endowment for the Arts in celebrating the 2020 NEA Jazz Masters—Dorthaan Kirk, Bobby McFerrin, Roscoe Mitchell, and Reggie Workman—at free, open to the public events April 1–3, 2020, at the SFJAZZ Center in jny: San Francisco, held in collaboration with SFJAZZ. In addition to hearing from the masters themselves at a listening party ...

ARTICLE: ALBUM REVIEW

Oded Tzur: Here Be Dragons

Read "Here Be Dragons" reviewed by Karl Ackermann

On his previous releases, Like a Great River (Enja, 2016) and Translator's Note (Enja, 2017), New York-based tenor saxophonist Oded Tzur amalgamated Eastern and Western elements and deep, balmy phrasing which drew sincere comparisons to John Coltrane. Not surprisingly, Manfred Eicher took notice and signed the Tel Aviv native to ECM for his third album, Here ...

ARTICLE: YEAR IN REVIEW

Jerome Wilson's Best Releases of 2019

Read "Jerome Wilson's Best Releases of 2019" reviewed by Jerome Wilson

The human voice was the first musical instrument and many of my favorite releases of the past year show how powerful the voice can be, whether the singer is in a choir, part of an instrumental ensemble or leading the band. Of course there were also many purely instrumental releases that were outstanding as well.

ARTICLE: ALBUM REVIEW

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann

The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

ARTICLE: RADIO

Day and Taxi, Adam Rudolph, Harish Raghavan and More

Read "Day and Taxi,  Adam Rudolph, Harish Raghavan and More" reviewed by Maurice Hogue

First out of the mixed bag of audio treats this week (it's Halloween after all!) is a track from Oliver Lake's first recording 43 years ago Ntu: The Point from Which Creation Begins. I haven't played Oliver in a while and that seemed like a good place to begin catching up. Adam Rudolph's epic project, Ragmala, ...


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