This outwardly simple and uncomplicated trio recording by L.A. Jenkins matches three improvisers with almost identical musical visions. The guitarist collaborates with saxophonist Hasan Abdur-Razzaq and drummer Adam Smith. Both partners are versed in the exploratory music of Sun Ra, Albert Ayler, and Pharoah Sanders. And both are members of The Wizards, a quartet that mines the cosmic and free jazz landscapes of the 1960s and 70s.
Jenkins, a student of Ornette Coleman's harmolodics, has developed a sound that is part Bern Nix and part Bill Frisell, but is also crafted and original. His explorations begin with freely improvised sound that coagulates into imperturbable sonic structures that are informed by patient and stoical music leanings. His previous release was Clarity of the Peculiar (Edgetone, 2012).
Intrusion carefully wraps its free jazz in a blanket of gentle sound. Jenkins prefers to mask his improvisations with a cover of ambient sound. Explosions are eschewed as the trio blows waves of saxophone & bass clarinet over cymbals. Jenkins' sound is delivered much like Bill Frisell's guitar when he was the choice of drummer Paul Motian in the 1980s. Each piece here tip-toes into consciousness. Even the extroverted Ayler-sound of Abdur- Razzaq's saxophone on "Second Light" toes the line of this session. Things never get noisy, even when the music opens up on "Cohesion @ The Parallel Universe" and "Final Flight." The latter piece finds Abdur-Razzaq taking up the cello to balance Jenkins' probing gestures and Smith's rumbling guidance. The music here is the equivalent of a polished gem with multi- facets. Quite the discovery.
Track Listing: Intrusion; Constellation; Second Light; Invocation; Cohesion @ The Parallel Universe;
Cascading Singularities; Matrix Of Investigation; Syncopated March Through Neb’uland; Linear
Perceptions; Final Flight.
Personnel: Hasan Abdur-Razzaq: reeds, cello, percussion; L.A. Jenkins: guitar; Adam Smith: drums,
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
Login to your All About Jazz member account to submit articles and press releases, upload images, edit musician profiles, add events and business listings, communicate with other members via personal messages, submit inqueries or contribute any content.