All About Jazz

Home » Articles » CD/LP/Track Review

4

The Impossible Gentlemen: Internationally Recognisable Aliens

John Kelman By

Sign in to view read count
When you come out of the gate as strongly as The Impossible Gentlemen (Basho, 2011), you create a pretty high set of expectations for the follow-up. Of course, when it's a quartet of musicians this accomplished—a transatlantic, trans-generational group consisting of a living legend (bassist Steve Swallow), a less-known but equally active American cohort (drummer Adam Nussbaum), a rising British star (pianist Gwilym Simcock and fellow Brit deserving far greater recognition (guitarist Mike Walker—there's an intrinsic recipe for a sophomore effort that can (and does) easily transcends their superlative debut. Add to that—based on the self-penned liner notes and photos—a group of players that don't just get along, but whose collective chemistry is clearly as much about joy and fun as it is serious music-making, and it means Internationally Recognisable Aliens is a record that, like its predecessor, is destined for year-end "best of" lists.

Bumping into Simcock in Montreal this past summer, he described The Impossible Gentlemen as "music written for what we hoped the group would be" while, with more touring under its belt, Internationally Recognised Aliens was "for what we know the group can be." On the road, the Impossible Gentlemen's members also discovered that they got along like gangbusters, and their joie du vivre is all over this record, from the unexpectedly gritty opener, "Heute Loiter"—its John Scofield-esque funk less than a total surprise, perhaps, given Swallow and Nussbaum's history with the guitarist on early 1980s albums like Shinola (Enja, 1982)—to the buoyant, Keith Jarrett-tinged "Modern Day Heroes" which, also co-composed by Simcock and Walker, grooves along amiably despite a tough set of changes and knotty yet singable melody that lead into a fiery trade-off between the clean-toned Walker and similarly irrepressible Simcock.

Internationally Recognised Aliens also ups the ante by recruiting producer Steve Rodby. A longtime member of the seemingly forever-on-hiatus Pat Metheny Group, In addition to being a fine bassist, Rodby has proven himself an astute producer on recordings by Eliane Elias, the late Michael Brecker and Metheny himself, as recently as The Orchestrion Project (Nonesuch, 2013). Here, in addition to helping bring the Impossible Gentlemen's effervescent personality to greater life, Rodby contributes some acoustic bass to Simcock's gentle, Latinesque "Just to See You," and "Barber Blues," an extended 16-bar blues also imbued by the spirit of Samuel Barber and a reminder that, not much more than a decade ago, the 32 year-old pianist was immersed in classical studies and had yet to make the leap over to the dark side.

Throughout, Swallow and Nussbaum provide the kind of support of which many bands dream, the bassist's five-string instrument allowing him, at times, to cross paths with the low end of Walker's guitar, as he does on his closing "Ever After," its piano/guitar intro ultimately assuming greater shape when bass and drums enter. It's a gentle ending to Internationally Recognisable Aliens, an even more exceptional record than the Impossible Gentlemen's debut, and evidence of the power and value of evolving friendships—musical and otherwise—that unequivocally influence how a group lives and, consequently, plays together.

Track Listing: Heute Loiter; Just to See You; Modern Day Heroes; The Sliver of Other Lovers; Crank of Cam Bay; Love in Unlikely Places; Barber Blues; Ever After.

Personnel: Mike Walker: guitar; Gwilym Simcock: piano; Steve Swallow: electric bass; Steve Rodby: acoustic bass (2, 7); Adam Nussbaum: drums.

Title: Internationally Recognisable Aliens | Year Released: 2013 | Record Label: Basho Records

Tags

Related Video

comments powered by Disqus

Related Articles

Read Smart Grid CD/LP/Track Review
Smart Grid
by Karl Ackermann
Published: July 16, 2018
Read Monochrome CD/LP/Track Review
Monochrome
by Hrayr Attarian
Published: July 16, 2018
Read Attitude Manouche CD/LP/Track Review
Attitude Manouche
by Chris Mosey
Published: July 16, 2018
Read Geometry of Caves CD/LP/Track Review
Geometry of Caves
by Troy Dostert
Published: July 16, 2018
Read This World of Dew CD/LP/Track Review
This World of Dew
by Dan McClenaghan
Published: July 16, 2018
Read Gegenschein CD/LP/Track Review
Gegenschein
by Karl Ackermann
Published: July 15, 2018
Read "Long Story Short" CD/LP/Track Review Long Story Short
by Jack Bowers
Published: May 26, 2018
Read "Carpe Diem" CD/LP/Track Review Carpe Diem
by Don Phipps
Published: March 19, 2018
Read "Mikrojazz!: Neue Expressionistische Musik" CD/LP/Track Review Mikrojazz!: Neue Expressionistische Musik
by Doug Collette
Published: October 1, 2017
Read "The Velvet Rage" CD/LP/Track Review The Velvet Rage
by Roger Farbey
Published: June 28, 2018
Read "Journey" CD/LP/Track Review Journey
by Troy Dostert
Published: July 1, 2018
Read "Intention" CD/LP/Track Review Intention
by John Sharpe
Published: April 18, 2018