Home » Jazz Articles » Album Review » Joe Locascio Trio: In The City Of Lost Things

Joe Locascio Trio: In The City Of Lost Things

By Glenn Astarita
October 12, 2007
View read count

Joe Locascio Trio: In The City Of Lost Things

Houston-based jazz pianist Joe Locascio has performed with many luminaries over the years. As a solo artist, he's released some of the more distinctive albums steeped within the piano trio format. In The City Of Lost Things may signal his finest recorded hour. Simply stated, Locascio plays all the right notes. Consisting of swirling chord clusters, fluid single note runs and tuneful melodies, the pianist and his crack rhythm section skirt that rather opaque division between mainstream and progressive jazz fare.

It's partly about the band's acute employment of dynamics, interweaved among odd-metered unison flurries and more. On "Sonia Braga, Thomas Helton's arco bass patterns paint a somber storyline, where Locascio seemingly raises the pitch with a lower register ostinato, all segueing into a heated plot built upon ascending choruses.

Contrasts abound throughout, as the band effortlessly whirls through up-tempo and precision-oriented bop grooves, opening the door for three-way exchanges. In other sections, Locascio throws a few hooks and diversions into the overall gameplan via an assortment of diminutive phrasings and textural shifts in strategy. Overall, this superfine unit sustains continual interest. And if you've become complacent with the endless and sometimes ho hum stream of jazz piano outings, then this gem will most assuredly warrant your attention.

Track Listing

The Bibliophile; Sonia Braga; In The City Of Lost Things; Port Of Call; The Wall Of Sleep; Julian; Naked Rats; Under A Pink Moon; Our Story; Hopalong.

Personnel

Joe Locascio

piano

Joe Locascio: piano; Thomas Helton: bass; Richard Cholakian: drums.

Album information

Title: In The City Of Lost Things | Year Released: 2007 | Record Label: Heart Music

PREVIOUS / NEXT

Mulatu Astatqe: Ethio Jazz & Musique...
< Previous

Arrival
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.