2

Illegal Crowns: Illegal Crowns

John Sharpe By

Sign in to view read count
Illegal Crowns: Illegal Crowns Three quarters of the cast on Illegal Crowns comprises familiar faces and frequent collaborators. Cornetist Taylor Ho Bynum and guitarist Mary Halvorson have enjoyed long associations with iconoclastic composer and reedman Anthony Braxton. With the addition of drummer Tomas Fujiwara, they constitute Bynum's Trio and the larger part of The Thirteenth Assembly, whose Station Direct (Important, 2011) was one of the unsung classics of that year. The ringer here is French pianist Benoit Delbecq who, as well as leading his own outfits, presented an acclaimed double trio with Fred Hersch on Fun House (Songlines, 2013).

Together they form a collective of supreme talent, united by a lyrical streak which surfaces even amid invigorating improv rigor. Bynum's astonishing technique is by now a given, deployed with an insouciant aplomb in often understated solos which balance an attractive melancholy tinge with sudden tangential excursions.

Similarly Halvorson possesses a unique voice, creating a spidery web of detuned strums, hokey lines and pitch bending FX. Delbecq, in spite of his renown for piano preparations, sticks largely to the conventional keyboard, combining harmonic acumen with darting clusters and reiterated motifs. Fujiwara proves the unifying force, moving effortlessly in and out of time with a supple yet precise touch, which keeps everything on point.

All four bring songs to the date and composerly insights to their interpretation. The ensembles are often densely layered, as in the Delbecq's opening "Colle & Acrylique," where the pianist's modifications emulate a thumb piano alongside Fujiwara in unusual African-derived sonorities, while Bynum essays a plaintive air and Halvorson provides loose counterpoint.

The mixture of jazzy outbursts, snatches of melody and involved extemporization showcased on the pianist's "Holograms" holds to varying degrees for all tracks no matter who the author. Cuts such as Bynum's "Thoby's Sister" and Halvorson's near title number reinforce the overall impression of an oblique but engaging music in which tunes are glancingly referenced, but nonetheless serve as the ballast anchoring elaborate group interaction and formidable individual improvisation. Such intricacy results in plentiful reward for time invested.

Track Listing: Colle & Acrylique; Thoby's Sister; Illegal Crown; Holograms; Solar Mail; Wry Tulips.

Personnel: Mary Halvorson: electric guitar; Tomas Fujiwara: drums; Benoit Delbecq: piano, prepared piano; Taylor Ho Bynum: cornet, flugelhorn.

Year Released: 2016 | Record Label: Rogue Art | Style: Modern Jazz


Shop

More Articles

Read Groove Dreams CD/LP/Track Review Groove Dreams
by Dan Bilawsky
Published: May 23, 2017
Read Kami Fusen CD/LP/Track Review Kami Fusen
by Glenn Astarita
Published: May 23, 2017
Read Two CD/LP/Track Review Two
by Joe Gatto
Published: May 23, 2017
Read Galaxies Like Grains Of Sand CD/LP/Track Review Galaxies Like Grains Of Sand
by Roger Farbey
Published: May 23, 2017
Read Nightfall CD/LP/Track Review Nightfall
by John Kelman
Published: May 22, 2017
Read Pekka CD/LP/Track Review Pekka
by Roger Farbey
Published: May 22, 2017
Read "Jungle: Live At Okuden" CD/LP/Track Review Jungle: Live At Okuden
by John Sharpe
Published: November 17, 2016
Read "AHEO" CD/LP/Track Review AHEO
by James Nadal
Published: May 23, 2016
Read "Soulmation" CD/LP/Track Review Soulmation
by Dan Bilawsky
Published: April 22, 2017
Read "Unfolding In Tempo" CD/LP/Track Review Unfolding In Tempo
by Bruce Lindsay
Published: October 6, 2016
Read "Urban Soul" CD/LP/Track Review Urban Soul
by Roger Farbey
Published: May 20, 2017
comments powered by Disqus

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, hide slide-outs, and provide read access to our future articles.

Buy it!