All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Considering the rhythmic spark that freshens this program, it is fitting that Omer Klein's solo piano album begins with a drum solo. Sitting down at the drum set, he introduces his forte with hands on drums and a personalized muffle that contains the basic building blocks of life: Heart Beats. Elsewhere, he spends his time at the piano working up daydreams and reveries that float impressions closely identified with his song titles. "Alma" and "Ship of Fools" rely on simplicity and lyricism for their meaning, while "Voices of War" pushes forcefully with some dissonance. "Sun Light" and "Shalvat Nefesh" move hymn-like with repetition and solemnity as Klein's impressions demonstrate their character with ordinary means and predictable behavior.
More interesting are the rhythmic numbers that he's created to outline his program of North African and Middle Eastern folk music merged with jazzy ideas. "Middle East Blues" carries an ethnic hue with its exotic harmony and a complex meter. "Yemen," "Niggun" and "5/8 Mantra" stand out as the best of Klein's dozen compositions due to the rhythmic variety that are pumped into each.
Born in Israel, schooled at the New England Conservatory and winner of the Jazz Hoilaart Contest in Belgium as well as the International Chamber Music Competition of New England, Klein combines elements from his native cultural environment with classical training to create varied feelings. He's at his best when churning an appetizing rhythm and applying improvised patterns in careful doses. Keeping ahead of the ordinary element in contemporary jazz, however, means laying out one's best qualities consistently.
Track Listing: Heart Beats; Voices of War; Arak; Yemen; Ship of Fools; Niggun; Alma; 5/8 Mantra; Shalvat Nefesh; Middle East Blues; Remembering; Sun Light.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.