For fans of jazz guitar, the trio setting holds a special appeal. Not the familiar Nat King Cole style trio of guitar, piano, and bass, but rather the format where the guitarist is accompanied by bass and drums only, a situation which forces him to use chords and single note soloing to fill up the space.
Mundell Lowe ups the ante even more by playing a program consisting entirely of ballads, some of which are taken at a virtually tempoless pace. Lowe keeps things simple, employing basic chord shapes and sticking close to the melody in a style that bears a strong resemblance to Johnny Smith in his use of chords to carry the melody. The rhythm section is given little to do rather than provide atmosphere, and there are entire passages where they might as well have left the room as little as they play.
Lowe delights in all the possibilities of the open setting, letting his chords hang in the air to achieve a languid atmosphere. Maybe the oboe, English horn, and flute solos are a tad too sentimental, and perhaps a few mid-tempo tunes would have broken up the monotony that inevitably sets in with a project of this type, but there's still a great deal of beautiful guitar work here.
There's nothing like the satisfaction of discovering an obscure album that turns out to be great. Mundell Lowe has never really been given enough credit as a musician, but Guitar Moods is a wonderful entry in the field of jazz guitar recordings.
Track Listing: 1. Speak Low 2. We'll Be Together Again 3. Memories OF You 4. Ill Wind 5. You Don't Know What Love Is 6. I Dream Too Much 7. June In January 8. I'll Take Romance 9. It's So Peaceful In the Country 10. Our Waltz 11. I'm Old Fashioned 12. Goodbye.
Personnel: Mundell Lowe - guitar; Al Klink - bass clarinet (#1), flute (4,9); Phil Bodner - oboe (3, English horn (6,7,12); Trigger Alpert - bass; Ed Shaughnessy - drums. "Our Wlatz" is by unaccompanied guitar.
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.