Home » Jazz Articles » Album Review » Josep Soto: Groc

276

Josep Soto: Groc

By

Sign in to view read count
Josep Soto: Groc
Josep Soto is a Barcelona-based composer and guitarist of immense promise. Groc comes not long after Parabolico (PICAP, 2001), which featured reedman Paquito D'Rivera and won European acclaim, getting nominated for a Latin Grammy when it hit the ground in the US two years later.

Groc is an unusual record. It is Josep Soto's not-so-secret and masterful way of acknowledging the collision of Spanish music with the music of cultures that Spain, Portugal and other Latin countries set out to influence when they colonized the New World. Uniquely, the Spanish music that Soto has experienced grew and cross-pollinated with Argentinean, Brazilian, Cuban and Latin American cultures that had, in turn been burnished with the vitality of African rhythms.

Soto has created a record that cuts a wide swathe around the world of Latin music, with a focal point in Spain, where his own musical experience appears to have grown from. With this as the concept of the record, the guitarist has clothed the music with the swing of delight. This is the swing of jazz. And it is this idiom that Soto has mastered as well. The music on the record describes the roadmap from Spain to Latin America and the Afro-Cuban landscape, indelibly etched in jazz today.

This session bustles with sound that is both unique and exciting. From the very first track, "Flamen-Q," which is a fusion of the Spanish, Afro-Brazilian and Afro-American idioms to Cuban and other Latin rumbas as well as the Argentinean tangos, Groc traverses a world map. "Cherubitango" is a masterful deconstruction of the tango, recast with a slightly expanded soundscape that includes additional strings to enhance the quartet sound. The title track is a rumba with exquisite soloing from Xavier Figuerola on clarinet and electric guitarist Guillermo Carrizo.

The music appears to have been written around Josep Soto's trio—the very funky bassist Cristian Gruner and percussionist extraordinaire Cidon Trindade. Gruner does a star turn on "Flamen-Q" and "Groc," and Trindade often sounds like three drummers. The trio music is, on several tracks, expanded for up to 13 musicians, and achieves a true big band sound. Soto's arrangements are wonderfully interpreted by the string section as well as by Figuerola Berta Gassull's oboe. But the real star is, of course, Soto, who brings the fluidity of Baden Powell and the technique and virtuosity of guitar masters from Andalusia and Cordoba to Brasil and Cuba. "Alma," "Tu Vals," a swaying waltz, and "Un Ou" are fine examples of Josep Soto's wonderful technique and virtuosity.

It would be interesting indeed to see what new ground Soto will cover, now that he has established credentials as a composer, virtuoso guitarist and master of the polyrhythmic idioms of Afro, Latin and jazz. Here is a guitarist who has made waves not unlike those made by Charlie Hunter, when he brought his fluid lines to the sound of the instrument.

Track Listing

Flamenc-Q; Cherubitango; Groc; Una Cancao; Alma; Tu Vals; Aiguafort; Un Ou; Rei Vindica; Romance.

Personnel

Josep Soto
guitar

Josep Soto: guitars; Cristian Gruner: electric bass (1, 3

Album information

Title: Groc | Year Released: 2009 | Record Label: Temps Records Spain

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Love Is Passing Thru
Roberto Magris
Sensual
Rachel Z
Over and Over
Tony Monaco Trio

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.