All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

5

Jon Rune Strøm Quintet: Fragments

John Sharpe By

Sign in to view read count
Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas Svendsen, first mining the upper registers but then pursuing diverging seams. Then Strøm alone carves out a robust pizzicato solo which culminates in a loping vamp. At that point he is joined by drummer Andreas Wildhagen and tenor saxophonist Andre Roligheten in relaxed mood, followed by trumpeter Thomas Johansson, leading to a mournful theme before the piece ends as it began, with the twin basses in tandem.

Already a fixture on the Scandinavian scene, Strøm plays a prominent role in outfits such as the Frode Gjerstad Trio, Universal Indians and Friends & Neighbors, the last of which also includes Roligheten and Johansson. Further connections abound in that the trumpeter also features alongside Wildhagen and both bassists in Paal Nilssen-Love's Large Unit. So, it would be fair to say that Strøm has chosen his colleagues for his leadership debut based on full understanding of their capabilities. Like many of those bands, his Quintet updates 1960s free jazz practices and still finds mileage there to explore.

With such an assemblage of exciting talent, it is perhaps not surprising that the group works best when broken down into subsets, a strategy that Strøm uses to good effect on the title track. A passage for Roligheten's overblown shrieks intermingling with Strøm's own growling fender bass and Wildhagen's provocative rumbling tattoo is contrasted with a much quieter interlude comprising murmurings between trumpet and Svendsen, also on fender. In turn, that is obliterated by an eruption of tenor, fuzzed-bass and drums, before they all come together in a full-on aural assault. Such eventful pieces, chock-full of such unexpected gear shifts, bear testament to the thought with which Strøm organizes his resources.

A similar breakdown occurs on the first part of "Main Source/365-B," which almost functions as a concerto for Roligheten's expressive tenor distortions, pitched against alternating choppy and smoother settings. Johansson again teams with Svendsen, but this time to subvert the rippling cadences of the other three. "Blood" provides more conventional fare, with Johansson's melodic trumpet fluttering somewhat uneasily above a slinking riff from the twin fender basses. The boppish "Wallack" acts as a vehicle for Svendsen, first in free counterpoint to Roligheten's tenor bounce, and then sawing determinedly across repeated rhythmic figures, until he disappears in a near inaudible whistle.

The final word though goes to Strøm as his unaccompanied strums, thwacks, slurs and twangs form the centerpiece of the dirge-like "Stillhetens Hav," completing a powerful bass-heavy outing.

Track Listing: Bånsull Etter Moren; Main Source/365-B; Fragments; Blood; Wallack; Stillhetens Hav.

Personnel: Thomas Johansson: trumpet; Andre Roligheten: tenor saxophone; Christian Meaas Svendsen: double bass, fender bass; Jon Rune Strøm: double bass, fender bass; Andreas Wildhagen: drums.

Title: Fragments | Year Released: 2018 | Record Label: Clean Feed Records

Tags

comments powered by Disqus

CD/LP/Track Review
Read more articles
Fragments

Fragments

Clean Feed Records
2018

buy
Jøa

Jøa

Stone Floor Records
2014

buy
 

Jøa

Shanachie
2013

buy

Related Articles

Read Mønk CD/LP/Track Review
Mønk
by Chris May
Published: September 20, 2018
Read The Music of Gary Lindsay / Are We Still Dreaming CD/LP/Track Review
The Music of Gary Lindsay / Are We Still Dreaming
by Jack Bowers
Published: September 20, 2018
Read Hidden Details CD/LP/Track Review
Hidden Details
by John Kelman
Published: September 20, 2018
Read Selective Coverage CD/LP/Track Review
Selective Coverage
by Jim Olin
Published: September 20, 2018
Read Fat Daddy CD/LP/Track Review
Fat Daddy
by Dan Bilawsky
Published: September 19, 2018
Read Short Stories CD/LP/Track Review
Short Stories
by Gareth Thompson
Published: September 19, 2018
Read "Here Today" CD/LP/Track Review Here Today
by Tyran Grillo
Published: December 26, 2017
Read "Duduka Da Fonseca Trio Plays Dom Salvador" CD/LP/Track Review Duduka Da Fonseca Trio Plays Dom Salvador
by Dan Bilawsky
Published: May 8, 2018
Read "The Wishing Stones" CD/LP/Track Review The Wishing Stones
by Friedrich Kunzmann
Published: January 13, 2018
Read "Open Borders" CD/LP/Track Review Open Borders
by Dan Bilawsky
Published: November 1, 2017
Read "Great Lakes" CD/LP/Track Review Great Lakes
by Doug Collette
Published: November 26, 2017
Read "Toy Tunes" CD/LP/Track Review Toy Tunes
by Dan Bilawsky
Published: June 16, 2018