Andreas Hagiioannu: Far and Wide

The trio selections, such as "Monsieur Reynard, delve into the straight-ahead. "Persis the Beloved has a Latin tinge, mostly given away by Savage's fine drumming and cymbal work; Hagiioannu's arch top sound is round, nestled in reverb warmth. His phrasing is facile and not unlike that of the late Joe Pass, minus the Pass-Tatum arpeggios. The guitarist allows bassist Griffin to solo on his electric axe—one of the best constructed solos on the record.

The title track follows this same road with an excellent swing in Griffin's walking bass.

But just when the listener believes this is to be but a pleasant mainstream jazz outing, Hagiioannu opts for solo guitar. On "Quinine, the guitarist finger-picks his arch top using harmonic progressions reminiscent of Fats Waller.

When Hagiioannu pulls out the acoustic he becomes rustic. On "For the Disappearing, he does a straight finger-picking gig right out of the Colorado highlands. "Newborn is much more in the vein of a Leo Kottke or John Fahey, though not as demanding of the listener.

This is pretty music. I suspect that I will not hear as satisfying a collection of guitar music this year as Far and Wide.

Comments