Home » Jazz Articles » Album Review » Tricycle: Emerge and See

101

Tricycle: Emerge and See

By

View read count
Tricycle: Emerge and See
The first question may well be this: what's the banjo doing in a jazz context? And if that did not cross your mind, it does not matter. What Tricycle has done is to expand, and expound, music that is grounded in bluegrass and country into a larger framework that incorporates the harmonics of jazz and the verve of a happy pop tune. All of it melds well enough.

If there is the certainty of a jazz aesthetic, it comes on "For Joy," where Jayme Stone sets up a bluegrass motif, on top of which Gordon Allen lets his trumpet add the jazz dynamics. Kevin Manaugh weaves harmonic spells on the guitar with thick notes that flesh his improvisations and bring in a bright resonance. There is an undeniable beckoning to "Bedouin Blues." Manaugh sets the tone; his notes have a sharp edge this time and as he roves the landscape he is given the impetus by Kevin Coady on drums and Paul Matthew on bass, with Stone dropping into the conversation to add the blues. "The Roads We Know" brings in several delightful surprises. The first is how to land a reggae rhythm. If that wasn't happy augury enough, Stone straightens it with his bow. His lines curve and curl, and yowl just a little, a tasty harbinger for Manaugh, who gets to the essence of the melody, juices up the lines, and passes it on to Stone and his banjo for some country strut.

Visit Tricycle on the web.

Track Listing

For Joy; Murmur; Emerge and See; Capetown; Bedouin Blues; Sing it Right; The Roads We Know; Corrib Theme; The Unseen; Four Strikes; You Still Hear

Personnel

Jayme Stone--banjo, bow, loops; Kevin Manaugh--guitars; Kevin Coady--drums and percussion; Paul Mathew--double bass; Special guest Gordon Allen--trumpet

Album information

Title: Emerge and See | Year Released: 2004 | Record Label: Self Produced

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.