Home » Jazz Articles » Album Review » Rob Schneiderman: Edgewise

Rob Schneiderman: Edgewise

By C. Andrew Hovan
April 1, 2001
View read count

You have to wonder if there’s something to the fact that there are three jazz artists of current vintage who, in addition to contributing substantially to the jazz lexicon, have also made an impact in some very important and time consuming fields outside of music. For instance, both trumpeter Eddie Henderson and pianist Denny Zeitlin have their own psychiatry practices. And in the case of fellow pianist Rob Schneiderman, we have one very intellectual mathematician in the field of low dimensional topology (whatever the heck that is).

Schneiderman’s art is one of understated elegance and over the course of his previous eight Reservoir sides he has evolved into a singular pianist of great merit. This new affair is simply a trio date with bassist Ray Drummond and drummer Winard Harper, although there’s nothing routine about the results. What’s particularly rewarding are three new interpretations of some seldom done Bud Powell lines, including “Cleopatra’s Dream,” “I’ll Keep Loving You,” and “Blue Pearl.” The interaction among the three men is engaging (caught very well on tape by engineer Jim Anderson, by the way), the program moves along with a divergent ebb and flow, and we get another rock-solid entry in Reservoir’s long standing New York Piano series.

Track Listing

Cleopatra's Dream, Edgewise, Just One Of Those Things, I'll Keep Loving You, What Is This Thing Called Love, Bud Powell Boulevard, In Walked Bud, Blue Pearl, Blues In The Closet, I'll Remember April

Personnel

Rob Schneiderman

Rob Schneiderman, piano; Ray Drummond, bass; Winard Harper, drums

Album information

Title: Edgewise | Year Released: 2001 | Record Label: Reservoir Music

PREVIOUS / NEXT

David Hazeltine: Milwaukee's Best Be...
< Previous

Meet Bill Charlap
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.