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Together, Joel Frahm and Brad Mehldau interpret six jazz standards, one familiar Ornette Coleman fixture, one memorable pop classic, and one original composition. Each piece is delivered with a straightforward approach, keeping the central melody in focus while venturing just a bit off the beaten path to express personal feelings about the subject. Frahm moves fluidly through his instruments' ranges, flipping keys as fast as necessary in order to have his say. Mehldau provides a warm backdrop for the saxophonist and contributes delicate essentials. His clarion calls and glistening harmonic tools provide a sparkle.
Jazz needs its tradition, and Frahm and Mehldau hold that part of the formula at center stage. The pianist's exploration of 'Smile' represents what he does best. Massaging the song, reinterpreting the melody a little, and providing creative fuel for his performing partner, he honors jazz's forefathers with a unique interpretation.
Frahm remains equally adept with the soprano and tenor. His performance works best at a slower tempo, when the saxophonist has time to state his ideas fully. Hence, his two takes on ''Round Midnight' outweigh the faster, lighter track arrangements. There's plenty here to like, for both traditional folk and modern mainstream fans.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.