Derek Gripper and Ballaké Sissoko: Strings in Perfect Harmony

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Derek Gripper's music is where tradition meets transformation. Hailing from Cape Town, South Africa, Gripper has spent his career transcending the boundaries of classical guitar by breathing new life into African string traditions. His latest project, a stunning collaboration with Malian kora master Ballaké Sissoko, exemplifies the kind of creative daring that defies categorization. During a recent episode of Backstage Bay Area, Gripper shared the story behind this remarkable partnership and his musical journey. With the sun streaming into his Cape Town studio and the buzz of garden life in the background, Gripper sat down with host Steve Roby for an interview rich with insight, humor, and reverence that comes only from a lifelong love of music.

Gripper's collaboration with Ballaké Sissoko began with a leap of faith and ended with an album recorded in just three hours. The result is a mesmerizing collection of seven instrumental tracks reflecting spontaneity and mastery. "We just sat down and played," Gripper recounted. "We didn't share a common spoken language, but we shared the language of music. It was like magic—an improvisational conversation."

Tracks like "Moss on the Mountain" reveal the duo's ability to connect deeply through sound. Inspired by a glacial hike, Gripper described the song as "a 40-year project" in spirit. "It's about letting ideas grow slowly, just like the moss the song is named after," he explained.

Equally captivating is "Ninkoy," a completely improvised piece that Gripper sees as a study in simplicity. "Jazz can be very complex, like chess, but this music is different. It's about being creative with almost nothing—four modes, five chords, and a handful of rhythms. And yet, it feels infinite."

Gripper is no stranger to collaboration, but his work with Sissoko represents a new pinnacle. "Playing with Ballaké is the closest thing to playing solo," he shared. "There's this freedom to go anywhere musically, knowing he can follow, and I can follow him. He's taught me the value of doing a lot with very little."

That ethos of minimalism carries over into their live performances. "We've never rehearsed and don't have a set repertoire. Every show is different, and that's what makes it so exciting," Gripper said. Fans attending the Healdsburg performance can expect the same spirit of discovery. "We might play 'Moss on the Mountain,' but most of the album is already lost to time. What happens on stage is completely in the moment."

Gripper's journey to this musical space began with his classical guitar training but has since evolved into something far more expansive. "I was always drawn to the complexity of Bach and early music, but I wanted to find a way to connect that with the music of the Cape," he explained. That connection clicked when he discovered the kora music of Toumani Diabaté. "It was a lightbulb moment. The contrapuntal style of the kora gave me a whole new language for the guitar."

By transcribing kora compositions onto a six-string guitar, Gripper has forged a style that's uniquely his own, blending African, classical, and folk traditions into a singular sound. "It's about bridging divides—between African and European classical music, simplicity and complexity, tradition and innovation."

Looking ahead to 2025, Gripper hinted at new collaborations and continued exploration of the interplay between guitar and other string traditions. But for now, he's focused on bringing the magic of his work with Sissoko to audiences worldwide. "Every show is a chance to start fresh," he said. "To discover something new."

Derek Gripper's story is one of constant evolution—of finding new ways to speak through the guitar, building bridges between musical worlds, and embracing the unknown.

For the entire conversation, including more behind-the-scenes stories from his collaboration with Sissoko, tune into the latest episode of Backstage Bay Area.

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