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Derek Gripper
Derek Gripper is a composer and guitarist from the Western Cape of South Africa, merging "the imagery and mystery of the rural areas of the Cape" with the techniques of classical guitar and the string music of Africa (uhadi bow, umrhubhe, kora, guitar). Derek calls this new evolution of music New Cape describing it as a “rethinking of the Cape’s transcultural heritage.”
Derek’s solo performances draw on a wealth of original compositions, as well as works by J.S.Bach, Ali Farke Touré, Toumani Diabaté, Dembo Konté, Egberto Gismonti, Heitor Villa Lobos, Benjamin Britten, Toru Takemitsu, and Luis de Narvaez.
To date he has recorded four solo CDs and three collaborative CDs with Alex van Heerden (SA), Udai Mazumdar (India) and Brydon Bolton (SA). He has performed concerts in Holland, Denmark, the U.K., Ireland, Sweden, Germany, Switzerland, Brazil, India, Namibia, and all over South Africa.
In 2010 Derek Gripper started New Cape Records, a music label dedicated to releasing the best of Cape music. Notable releases include Madosini, Alex van Heerden, Gramadoelas, as well as Derek’s own catalogue of compositions. www.newcape.co.za
Derek Gripper began his formal musical training at the age of six on theviolin. After studying classical music for the next thirteen years he began tolook further afield for musical inspiration. This search took him to Indiawhere he studied South Indian Carnatic music. On his return to South Africahe decided to focus on the guitar, trying to find a new direction for theinstrument. He was attracted to the use of multiple layers in the music ofOliver Messiaen, the African-influenced structures of Steve Reich, as well asto guitar arrangements of the music of J.S.Bach. But it was when he met upwith Cape Jazz trumpeter Alex van Heerden that he started to see that hisprevious studies could be used to find new directions for the music of theWestern Cape. The two musician's first recording in 2002, Sagtevlei, laid thegroundwork for an entirely new Cape music, a music that the press called“avant-goema.” Here for the first time the compositional techniques ofcontemporary classical music where used to support the melodic andimprovisational nature of Goema, the carnival music of Cape Town. Thisrecording laid the groundwork for his first solo album, Blomdoorns, a seriesof compositions on an experimental eight-string guitar. Here the rhythms hehad heard in India combined with Cape style melodies and cyclical motives ina simplified guitar language that was entirely unique yet unmistakeablyinfluenced by the Cape's rich and diverse musical history. Over the next fewyears he further developed this musical language, switching to the traditionalsix-string guitar in 2004. After exprimenting once more with the possiblitiesof classical music, he settled into performing only this New Cape music, usinga guitar by the great German Luthier Hermann Hauser III. The 2008 CD “Ayo”documents the first series of compositions for this instrument, exhibiting theinfluence of musicians such as Brazil's Egberto Gismonti and Mali's ToumaniDiabate. It could be said that the music that Gripper creates is South Africa'sanswer to musicians such as Gismonti and Heitor Villa Lobos: classical trainedmusicians from the “South” who have used their skills to develop newdirections in the music of their home countries. It is also interesting to notethat many of the European or American composers that he was initiallyattracted to were profoundly influenced by African music, using its complexcyclical structures and collectivity as the basis for new movements intwentieth century music.
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Derek Gripper and Ballaké Sissoko: Strings in Perfect Harmony

by Steven Roby
Derek Gripper's music is where tradition meets transformation. Hailing from Cape Town, South Africa, Gripper has spent his career transcending the boundaries of classical guitar by breathing new life into African string traditions. His latest project, a stunning collaboration with Malian kora master Ballaké Sissoko, exemplifies the kind of creative daring that defies categorization. During a recent episode of Backstage Bay Area, Gripper shared the story behind this remarkable partnership and his musical journey. With the sun streaming into his ...
Continue ReadingPeo Alfonsi e Derek Gripper: chitarra classica, tra musica colta e popolare

by Mario Calvitti
Tra la musica cosiddetta colta" di origine accademica e quella di matrice popolare probabilmente non è mai esistita una linea di separazione netta come molti (soprattutto in ambito classico) vorrebbero far credere. Troppe sono le influenze reciproche esercitate nel corso dei secoli, anche nonostante le diversità dei vari contesti storico-culturali che si sono avvicendati nel tempo. La chitarra è sicuramente uno degli strumenti più diffusi tra quelli utilizzati da entrambi i mondi musicali, e molto spesso ha consentito ...
Continue ReadingDerek Gripper: Finding the New Cape

by Seton Hawkins
In 2002, Cape Town-based guitarist, violist, and composer Derek Gripper began a musical collaboration with multi-instrumentalist Alex van Heerden. In doing so, the two men sparked a musical partnership that would, in only a few months, smash through stylistic boundaries on their debut recording Sagtevlei > (New Cape Records, 2010). Drawing upon the rich ghoema musical tradition of Cape Town, Sagtevlei proved to be a haunting and magical journey into the artistic legacy of the Cape, and showcased two young ...
Continue ReadingDerek Gripper - Kora Guitar at DROM on September 10th

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Scott H. Thompson
Derek Gripper - African Kora For Guitar First Time Ever Sept 10 - at DROM - One Night Only - 8pm Come see the music of the African string-instrument, the Kora, performed as never before - on the guitar! This is unique music from a rich culture that will broaden your personal musical horizons. South African Derek Gripper is the world's first guitarist to successfully translate the music of the 21-string West African kora onto solo ...
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"an open-minded fusion of classical and indigenous" [Art South Africa] “exciting visionary…thrilling, vibrant.” [Argus] “consistently fine and immediate.” [Mail and Guardian] “Listening to Blomdoorns is being granted a moment of very intimate discourse, a glimpse of secret audio-emotional imagery…the songs are simple, modest and touching, a gifted artist.” [MR] “Should go down as a classic of Cape music. Gripper follows in the footsteps of Steve Newman, Tony Cox, Abdullah Ibrahim and all the best painters of the Cape’s aural landscape.” [Julian Jonker]
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