Your friends at All About Jazz are looking for readers to help back our website upgrade project. Of critical importance, this project will result in a vastly improved design across all devices and will make future All About Jazz projects much easier to implement. Click here to learn more about this project including donation rewards.
Although this date was recorded in 1990, it has only recently been released on CD. It is a solid effort. Cuber's the leader, and the date is built around his baritone sax. But the sidemen - Joe Locke on vibes, Michael Formanek on bass, Bobby Broom on guitar, Ben Perowsky on drums and special guest Carlos "Patato" Valdez on congas - all contribute inspired performances, too.
Cubism is not "smooth" jazz, but it's certainly got some smoother elements. And it's not outwardly commercial, but it has a certain accessibility and toe-tapping quality that might make it appealing to listeners who are scared off by rawer and more experimental forms of jazz. It's not a Steve Coleman record, and it's not a Sun Ra record, but if you walked into a club today (and remember, this date is more than ten years old) you'd likely agree there's some good playing going on. There's just a little cheese (the "Cool Jerk" funk groove) and everything is played with a good deal of chops, enthusiasm and energy. Cuber adds two classics (Duke Ellington's “In A Sentimental Mood” and Horace Silver's “No Smokin'”) to a lineup of his originals. “In A Sentimental Mood” is an especially good vehicle for Cuber's dusky, warm baritone sax sound. Drummer Perowsky - a fixture on both the downtown and mainstream jazz scenes - is burning on this (relatively) long-ago date. This record could be an interesting artifact for Perowsky fans. His signature voice and power was already apparent in 1990 - although there is a slight hint of the Dave Weckl/fusion drum school madness from which he emerged. Check the Pat Metheny Travels-era cymbal pinging and Lyle Mays-style synth wash on the last track, which was probably written and produced to be radio-friendly (not that there's anything wrong with that). Thankfully, guitarist Bobby Broom stays away from a Metheny-derivative sound.
I love jazz because it’s what sounds
I was first exposed to jazz in my
parents household and in school
I appreciate many styles of jazz
and shy away from really outside
stuff. I enjoy relating to the
One of the best shows I ever
attended was 1975 Chick Corea’s
Return To Forever tour at an
intimate venue in downtown
The first jazz record I bought was
Herbie Hancock’s Chameleon.
My advice to new listeners is try
several styles before you decide
what jazz is all about!
Listen to music daily and stay open