230

Anthony Braxton: Composition No.94 For Three Instrumentalists (1980)

Glenn Astarita By

Sign in to view read count
The folks at Leo Records remind us that “new jazz”, “free-jazz” or “new music” is over 40 years old as they approach their 20th anniversary as a fine, cutting-edge label often featuring old and new talent. Here, on their newly launched “Golden Years of New Jazz” label, we celebrate the first of four new releases, with a live and “previously undocumented” recording by the Anthony Braxton Trio featuring trombonist Ray Anderson and guitarist James Emery. Recorded in Bologna, Italy in 1980, this recording is titled, Composition No.94 For Three Instrumentalists (1980). While the recording quality on this particular release is less than perfect we are dealing with a certain amount of “history” within the free or improvised-jazz realm. After all, we still listen to those old low-fi Charlie Parker records...........On this release, the music is first and foremost! Graham Lock contributes the insightful and comprehensive liners, complete with examples of Braxton’s often complex and unique music inscriptions and notations. Here we are treated to two sets, which clock in at 76 minutes.

On this recording, Braxton utilizes his customary arsenal of woodwind instruments while Ray Anderson performs on alto and tenor trombone, cornet and slide trumpet. Guitarist James Emery performs on acoustic and electric guitars while dabbling with some good old analog electronics which are put to good use and not overly exaggerated within this framework, especially considering the fascination with electronic gadgets during this timeframe in history. Emery provides color, while at times launching the themes or dialogue into linear concepts, which become expanded upon by the trio while remaining within the context of Braxton’s seemingly difficult to perform compositions. Much of the interplay is fascinating via multitonal instrumentation and imaginative improvisation. As usual, Braxton’s perspectives and deeply personal if not scholarly approach defies categorization as his bandmates also give it their all!

Anthony Braxton’s Composition No.94 For Three Instrumentalists (1980) is an important edition to a form of music which evolves yet beckons rediscovery. Leo Records has dutifully addressed that notion with the advent of this new record label! * * * *

| Record Label: Golden Years of New Jazz | Style: Modern Jazz


Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "Allison Philips Trio" CD/LP/Track Review Allison Philips Trio
by Karl Ackermann
Published: November 27, 2016
Read "Cantos Invisíveis" CD/LP/Track Review Cantos Invisíveis
by Mark Sullivan
Published: November 11, 2016
Read "No Favorites!" CD/LP/Track Review No Favorites!
by Troy Collins
Published: November 27, 2016
Read "Portraits and Places" CD/LP/Track Review Portraits and Places
by Jack Bowers
Published: March 31, 2016
Read "Duo" CD/LP/Track Review Duo
by Victor L. Schermer
Published: June 9, 2016
Read "Ears Are Filled With Wonder" CD/LP/Track Review Ears Are Filled With Wonder
by John Sharpe
Published: August 20, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!