Home » Jazz Articles » Album Review » Lionel Marchetti & Abdul Moimême: Ciel-Cristal
Lionel Marchetti & Abdul Moimême: Ciel-Cristal
Moimême plays two homemade (or substantially altered) electric guitars, laid horizontal, and played simultaneously using his hands, an electronic bow and other objects. The sound is amplified through a pre-amp and speakers. He utilizes a gyroscope, music boxes, and other objects to create an otherworldly sound. The Lisbon-based artist has led or co-led more than a dozen albums.
The French title Ciel-Cristal translates as Sky-Crystal. There is no practical entry point for the single title track. It arrives in full trajectory with departure and arrival points dictated only by one's imagination. The album is pure soundscape: tones, drones, noise, and silence, neither jarring nor complacent. The forty-one-minute improvised track is absorbing and understated; the occasional lyrical nuances are slight in the face of metamorphic and discordant resonance.
Ciel-Cristal exists outside the orbit of any familiar place; there are black holes which open and swallow the sound. The music artfully dodges debris; sunspots flare up out of nowhere. The unusual instrumentation establishes subtleties which constantly shift or disappear permanently. The sound is constantly moving and requires a sensitive ear to appreciate its shades and textures. The album was recorded at the conclusion of a joint Marchetti-Moimême 2021 residency in Porto, Portugal. The live improvisation included a visual element in the form of a Jorge Quintela video of geometric salt crystal formations. Ciel-Cristal is strongly recommended for adventurous listeners.
Track Listing
Ciel-Cristal.
Personnel
Lionel Marchetti
synthesizerAbdul Moimême
guitar, electricAdditional Instrumentation
Lionel Marchetti: electronics; Abul Moimême: objects.
Album information
Title: Ciel-Cristal | Year Released: 2022 | Record Label: Sonoscopia
About Lionel Marchetti
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






