I choose a Clifford Brown album called The Beginning and the End (Columbia, 1973). It chronicles this guy's experience from the beginning of his musical career until a recording the day before he actually died.
It's strange, because when I first got the record I didn't really know what the record was about or why they put it together. I just remember hearing this amazing trumpeter and trying to mimic his version of 'Donna Lee,' and I can remember at the end of the song hear him speak to the audienceand even as a little kid feeling that this guy had a lot of heart and was compassionate, through his voice.
He sort of says a farewell to the world and I had no idea that's what actually was happening. So when I got a little bit older and I realized what was going on, it made me want go back and re-investigate it when I was a much better trumpeter. I realized that he was playing some pretty impossible things on the instrument when in essence he was a babythis guy passed away in his early twenties. There's stuff that this guy did with the instrument that many fifty year old trumpet players would never attempt and this guy did it sixty years ago. It's scary to think about it.
The thing I love so much about Clifford Brownin addition to his trumpet playing being so refined and so perfectyou could just always tell he was playing with sincerity and love in his heart, that's a model that I've tried to keep going.
Lots of guys, they look at some of my song titles and titles of the albumssome of the music is about social issues and things of that nature and they're kind of charged sometimesthey say, 'Oh well, this guy's angry.' But if they only knew I actually was playing the music from a stance of love. I don't want this [social issues] to affect my kids; I'm just trying to take that model and apply it to the time period that I inherited.
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