Home » Jazz Articles » Album Review » Ugetsu: Cape Town Blues

121

Ugetsu: Cape Town Blues

Jujitsu Music. The band name comes from an Art Blakey and the Jazz Messengers recording (Original Jazz Classics 90). I got that from the liner notes after I had listened to the disc. I originally noted that Ugetsu’s lineup was identical to that the 60s Messengers with a tenor-trumpet-trombone front. The tone of Cape Town Blues is like a smooth-corner Wayne Shorter-Freddie Hubbard-Curtis Fuller Messenger assembly (the same front as the Jazz Messenger’s Ugetsu. Then I read the liner notes and though, “No wonder!” The music is very vintage 60s jazz with better high fidelity and just enough reverence for the music (stopping short of smothering it).

The songs are a typical collection of meat and potato hard Bop pieces. "Commandments from a Higher Authority" sounds like a hip update of "Walkin'" complete with the trumpet call and response behind the trombone solo. "Cape Town Blues is a straight ahead hard Bop Blues, no frills, just right. The fast pieces are upbeat but never frenetic. The Ballads are laid back and relaxed. Cape Town Blues is a durable recording that offers the reader multiple awards after several listenings.


C. Michael Bailey FOLLOW C. Michael Bailey and get notified whenever a new article published.
I'm Sanctified and Southern Fried / Mama tried and daddy cried / I tell the truth 'cept when I've lied / And like my huevos on the side.

Track Listing

Forged Visa; Animated; Down The Back Of The Garden; For The Sound Of The Ocean; Valery's Changes; The Middleman; Commandments From A Higher Authority; Special Delivery; Between Road And Home; Cape Town Blues. (Total Time: 68:53)

Personnel

Martin Zenker: Bass; Valery Ponomarev: Trumpet; Tim Armacost: Tenor Saxophone; Adrian Mears: Trombone; Bernhard Pichl: Piano; Rick Hollander: Drums.

Album information

Title: Cape Town Blues | Year Released: 2000


About Ugetsu

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Live at Loft Köln
Blumer-Dell-Geisser-Morgenthaler
Live Again
Darius Brubeck Quartet

Popular

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.