Home » Jazz Articles » Album Review » Pulsarus: Bee Itch
Pulsarus: Bee Itch
Interestingly enough, the ensemble launches the album with John Lennon's "Imagine." During the onset, soft horns shape the primary theme, but as the album progresses, the musicians execute a horde of off-center contrasts and bursting choruses along with experimental episodes. Strycharski's blockflute work is apt to affix a festive touch and eerie overtones into certain passages that uncannily sound electronically treated. The ensemble's restless spirit shines on a per-track basis as they pursue odd-metered conceptualizations and soundscapes, etched with expressionistic improvisational segments and avant-garde jazz interludes. But they often slam matters into the ozone via brute force soloing, layered passages, brash horns arrangements and ominous progressions.
"Isogriv 2" commences with Stefan Orins' lower-register Fender Rhodes phrasings, steeped in a slow tempo groove, dappled with oddball background treatments, echoing horns and airy flutes. Here, they emit a foreboding vista; although the artists often intersperse gravelly dissonance with heavy metal jazz imagery amid bold works such as "Isogrov 3," that boast zany improvisational tactics and convey a shock and awe mindset. In sum, listening to this ensemble is a stirring experience that should excite the hearts and minds of jazz enthusiasts who yearn for something that goes against the grain, augmented by a highly entertaining form-factor.
Track Listing
Imagine; Guff; Isogriv 1; Bathetic; Isogriv 2; Ataraxia; Baobab; Rotfl; Isogriv 3; Hieratic; Isogriv 4.
Personnel
Dominik Strycharski: soprano, alto & tenor blockflutes; Tomasz Dąbrowski: trumpet,Balkan horn; Aleksander Papierz: alto saxophone; Ray Dickaty: tenor saxophone; Stefan Orins: electric piano; Jacek Mazurkiewicz: double bass; Jakub Rutkowski: drums.
Album information
Title: Bee Itch | Year Released: 2015 | Record Label: For Tune
About Pulsarus
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







