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Tomasz Stańko
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Tomasz Stanko was 20 and a graduate of the Cracow Music Academy when he formed his first band, the Jazz Darings, with pianist Adam Makowicz in 1962. Inspired by early Ornette Coleman and the innovations of Coltrane, Miles Davis and George Russell, the group is often cited by music historians as the first European group to play free jazz, but for the trumpeter its importance was eclipsed by the invitation to join Krzystof Komeda's quintet the following year. Stanko has acknowledged that much of his subsequent musical direction and his own compositional style was influenced by Komeda. The lyricism, the feeling of playing only the essential, the approach to structure, to asymmetry, many harmonic details. Stanko toured for five years with Komeda, appeared on 11 albums with him, and also made contributions to all of the films scores that Komeda realized in Poland.
Polish Jazz Festival returns to London
September 2026 marks the second Polish Jazz Festival to take place in London-curated, as it was in 2025, by businessman and music fanatic Łukasz Droździel. Three significant women singers form the backbone of the festival: Anna Maria Jopek (also a pianist), pop/jazz/world music star Kayah, and jazz vocal legend Urszula Dudziak. The latter celebrates her 83rd ...
Trumpet Trios: Bass, Drums and Trumpet
by Jon Greenbaum
On this special edition of North Star Sounds we focus on trumpet trios (trumpet, bass, drums). Check out the vibrant variety of approaches and moods created with just these three instruments. Playlist Steven Bernstein “Mammoth" from Resonation Trio (Royal Potato Family) 00:00 Ramon Lopez / Percy Pursglove / Rafal Mazur"au lapin agile" from Threefold ...
Bill Frisell and Ambrose Akinmusire at NoMad Jazz Festival
by Paul Reynolds
Bill Frisell and Ambrose Akinmusire Baruch College NoMad Jazz Festival New York NY August 3, 2026 It's not uncommon to describe jazz duets as musical conversations. But the term, suggesting some silences and even disagreements, isn't quite right for an encounter as uninterrupted and musically telepathic as that of Bill ...
Voo Voo Runs the Voodoo Down
by Maciej Stasiowski
Voo Voo is the faux-phonetic transcription of how Wojciech Waglewski's initials should be pronounced in English--instead of the default “double U" times two. By no mere coincidence, it is also the name of a group he has been running since 1985. Having secured his band this way for sailing on international waters already at the outset, ...
The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick
by C. Andrew Hovan
In an oft-quoted phrase from a 1971 magazine article, ECM founder and producer Manfred Eicher described the label's ethos as “the most beautiful sound next to silence." From the start, the label's eloquent sound--captured expertly by house engineers Martin Wieland and Jan Erik Kongshaug--transferred beautifully to vinyl, and original pressings remain highly prized among collectors. So ...
Alain Metrailler: Heights Prospection
by Dan McClenaghan
Who is going to be the next Miles Davis? Or the next John Coltrane? With their two most lauded albums--Kind Of Blue (Columbia, 1959) and A Love Supreme (Impulse, 1966, respectively, the trumpeter and saxophonist (again, respectively) set the bar for top-tier, post-bop jazz ensemble outings. A bar so high it may never be achieved again. ...
Marilyn Crispell / Anders Jormin: Memento
by Mike Jurkovic
Even with her most youthful and combustible studies into our common language--1988's solo watermark Labyrinths (Victor); with Paul Motian and Reggie Workman, Live In Zurich (Leo, 1989); to the mature, questing, and timeless Amaryllis (Blue Note, 2001) with Motian and Gary Peacock; and the trio muscle of Dreamstruck (Not Two, 2018) alongside bassist Joe Fonda and ...
Marilyn Crispell, Anders Jormin: Memento
by Neil Duggan
US pianist Marilyn Crispell and Swedish bassist Anders Jormin filter their decades of musical experience and improvisational instinct into Memento, their debut duo recording. Combining original compositions with four freely created pieces, the album focuses on the universal themes of memory and loss. Crispell, recently honored with a 2025 National Endowment for the Arts ...
Tomasz Stańko: Polish Radio Sessions 1970-91
by Kevin Poindexter
In post-World War II Poland, jazz served as an act of defiance against the state, a resistance to the cultural restraints imposed on society. With its improvised nature and swinging rhythms, it stood in direct opposition to the rigid structure of socialist society. Where jazz relies on individual improvisation as a form of expression, socialist society ...
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