Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

6

R.E.M.: Automatic For The People - 25th Anniversary Edition

Doug Collette By

Sign in to view read count
If the anniversary packages of R.E.M.'s discography, like Automatic For The People, seem to be arriving in quick succession, that's because the band hit an extraordinarily prolific stride around a quarter century ago. Breaking beyond the boundaries of their previously-established and recognizable style with Green (Warner Bros., 1988), the foursome continued into the next decade writing, playing and producing at a sufficiently ingenious level they rendered moot the glib label 'jangle-pop.'

Each of the multiple configurations of the twenty-fifth anniversary release of Automatic For The Peoplecarries it own respective sense of logic, but at the same time maintains continuity with the others. So, twenty studio outtakes populate half the four-disc package with a Blu-ray, along with the original album remastered from the analog tapes by Stephen Marcussen. after a remix in the new Dolby Atmos format, as overseen by original producer Scott Litt: these sonic improvements benefit all twelve tracks, but especially those such as "The Sidewinder Sleeps Tonight" on which the dense production previously sounded almost impenetrable (even as lead vocalist Michael Stipe's voice remained prominent in the mix).

As with the double-CD issue, the 'Deluxe Edition' also includes a full performance, Live At The 40 Watt Club 11/19/92; performed in R.E.M.'s hometown of Athens, GA, it was the band's only public concert that year. The band had wisely chosen not to tour as means of support for their previous album, a steadfast declaration of faith that what they accomplished in the studio could and should stand on its own terms. Yet it doesn't deny that stance that R.E.M. chose to include what would become standout tracks from the record in this live offering: "Everybody Hurts" and, to a lesser extent "Drive," would become representative of this group's continuing D.I.Y. stance.

The inclusion of "Radio Free Europe," from the foursome's initial long-player Murmur (I.R.S., 1983) stipulated in no uncertain terms that these favorite sons of this Southern college town had not lost track of their roots. But just as clearly they were also justifiably proud of their most latest work, as well as that of recent vintage too: this is a rousing take on "Finest Worksong," from the group's mainstream breakthrough album Document (I.R.S., 1987). And all that said, Buck, Berry, Mills and Stipe remained quirky in ways small and large: the band kicks into the homestretch of this set with a cover of the Troggs' "Love Is All Around."

Such was this this discriminating choice from a band whose taste in all things musical was thus reaffirmed. yet again. over ten years into their history. And not just by following their own instincts: Led Zeppelin's John Paul Jones fashioned the orchestral arrangements for select tracks including "Nightswimming," while both the album as a whole and its aforementioned singles were afforded Grammy nominations. Catchy as it is, "Man on the Moon," may have sound conventional, yet its subject matter (the supremely idiosyncratic comedian Andy Kaufman) is anything but: such a delightful pairing of opposites is wholly congruent with R.E.M.'s own collective persona.

The flurries of activity devoted to this anniversary release of Automatic For the People, as readily apparent on social media, simultaneous with a corresponding public relations campaign unlike those accompanying previous such archive releases, suggests one of two things (or perhaps a combination of both): a less than satisfactory sales response on previous issues, including last year's Out of Time (Concord, 2016) or an insecurity on the band's part regarding their status in contemporary rock history. On the former front, it'd be interesting to compare figures, but ultimately a numerical count is of far less import than the fact vault titles like this one reinforce R.E.M.'s status as one of the greatest rock and roll bands America's ever produced

Track Listing: CD 1: Automatic For The People (Remixed/Remastered) - Drive; Try Not to Breathe; The Sidewinder Sleeps Tonite; Everybody Hurts; New Orleans Instrumental No. 1; Sweetness Follows; Monty Got A Raw Deal; Ignoreland; Star Me Kitten; Man on the Moon; Nightswimming; Find the River. CD 2: Live At The 40 Watt Club - Drive; Monty Got A Raw Deal; Everybody Hurts; Man On The Moon; Losing My Religion; Country Feedback; Begin The Begin; Fall On Me; Me In Honey; Finest Worksong; Love Is All Around; Funtime; Radio Free Europe.

Personnel: Michael Stipe: lead vocals; Bill Berry: drums, percussion, keyboards, bass guitar, backing vocals, melodica: Peter Buck: electric and acoustic guitars, mandolin, bass guitar: Mike Mills: bass guitar, piano, keyboards, accordion, backing vocals; Scott Litt: harmonica, clavinet; John Paul Jones: orchestral arrangements Strings and oboe on "Drive", "The Sidewinder Sleeps Tonight", "Everybody Hurts", and "Nightswimming" : George Hanson: conductor: Denise Berginson-Smith, Lonnie Ottzen, Patti Gouvas, Sandy Salzinger, Sou-Chun Su, Jody Taylor: violin; Knox Chandler, Kathleen Kee, Daniel Laufer, Elizabeth Proctor Murphy: cello; Reid Harris, Paul Murphy, Heidi Nitchie: viola; Deborah Workman: oboe.

Title: Automatic For The People - 25th Anniversary Edition | Year Released: 2017 | Record Label: Craft Recordings

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read The Tale CD/LP/Track Review
The Tale
by Dan McClenaghan
Published: December 17, 2018
Read Down a Rabbit Hole CD/LP/Track Review
Down a Rabbit Hole
by Jack Bowers
Published: December 17, 2018
Read Trioliloquy CD/LP/Track Review
Trioliloquy
by Friedrich Kunzmann
Published: December 17, 2018
Read Perspectives II CD/LP/Track Review
Perspectives II
by Jerome Wilson
Published: December 17, 2018
Read Red CD/LP/Track Review
Red
by Nick Catalano
Published: December 17, 2018
Read Everything's OK CD/LP/Track Review
Everything's OK
by Doug Collette
Published: December 16, 2018
Read "Meridian" CD/LP/Track Review Meridian
by Hrayr Attarian
Published: August 8, 2018
Read "Ornettiquette" CD/LP/Track Review Ornettiquette
by Chris Mosey
Published: November 18, 2018
Read "Nightconcert" CD/LP/Track Review Nightconcert
by Peter Hoetjes
Published: October 27, 2018
Read "World Domination Vol 1: Furie" CD/LP/Track Review World Domination Vol 1: Furie
by Mike Jurkovic
Published: July 20, 2018
Read "Live at Home" CD/LP/Track Review Live at Home
by Glenn Astarita
Published: March 10, 2018
Read "This City" CD/LP/Track Review This City
by Dan Bilawsky
Published: March 24, 2018