Cataclysmic Commentary: Audience ParticipationBy
The trio invited fans and friends to come up with song titles in advance of the recording date, and with colorful choices like "Surprise Kitten Explosion 5000" or "Texas Chainsaw Focus Group," it's evident they had some fun with this assignment. With each title serving as a springboard for improvisation, one hears expected results, with the less wholesome titles leading to some of Cohen's most bombastic skronks and shrieks, and more benign ones like "Crowded in Solitude" or "Why Am I Not a Painter?" prompting less confrontational explorations.
There's no question that Cohen can bring the goods when it comes to the music's more extreme moments, as his banshee wail on "Surprise Kitten Explosion 5000" can make one's hair stand on end. Miller and Wallace also make for sympathetic partners, capable of matching Cohen's exuberance but taking a less histrionic approach on the more subdued tracks like "Nun Oil" or "Crowded in Solitude," which demand close listening and a more even-tempered delivery. However, the record is rather brief overall, with nine pieces coming in at around 35 minutes total, and with significant shifts in mood and technique from track-to-track, the album has the feel of a series of one-offs rather than an integrated whole. Which is not to say that the trio doesn't gel, as a piece like "Texas Chainsaw Focus Group" possesses enough fury to engage any jaded fan of free improvisation, with Cohen's acerbic tenor feeding maniacally off of Wallace's and Miller's pile-driving pummelings. But these moments work in isolation on the album.
Shortcomings aside, this is a record that suggests some serious potential for these three musicians in this configuration, so hopefully they will continue to channel their concept a bit more on their future releases. We'll stay tuned.
Surprise Kitten Explosion 5000; Nun Oil; Mean Knees; Crowded in Solitude; Ode to Ella; Texas Chainsaw Focus Group; The Last Time You Used a Real Map; Why Am I Not a Painter?; There’s Junk Mail & Terrorism.
Ben Cohen: tenor saxophone; Eli Wallace: piano; Dave Miller: drums, cymbals.
Title: Audience Participation | Year Released: 2018 | Record Label: Eschatology Records