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Jazz Articles about Walt Weiskopf

3
Album Review

Walt Weiskopf: Fountain Of Youth

Read "Fountain Of Youth" reviewed by David A. Orthmann


Fountain Of Youth is the latest installment of Walt Weiskopf's mid-career renaissance. In reviews of Weiskopf's three previous Posi-Tone releases, I made the misstep of treating his imposing skills as a tenor saxophonist, composer, arranger, and bandleader as separate, albeit compatible entities; this time around I realized that they are indeed parts of a larger, all-encompassing vision that winds through the disc's eleven tracks. Whereas Overdrive, Open Road, and The Way You Say It are--with few exceptions--driven ...

8
Album Review

Walt Weiskopf: The Way You Say It

Read "The Way You Say It" reviewed by C. Andrew Hovan


For quite some time, saxophonist Walt Weiskopf had a forum for expressing his growth and development via his many albums for Criss Cross Jazz. While that fruitful partnership ended in 2010 with See the Pyramid, Weiskopf seems to have found a new home with Marc Free's Posi-Tone imprint. With three releases added to his already healthy catalog in less than 24 months, Weiskopf continues to build on his jazz reputation even while the masses are becoming more aware of his ...

5
Album Review

Walt Weiskopf: The Way You Say It

Read "The Way You Say It" reviewed by David A. Orthmann


The trail leading to The Way You Say It, the latest from tenor saxophonist Walt Weiskopf, is marked by performances from superb Posi-Tone releases of recent vintage. Organist Brian Charette was the ballast of the 2015 Triple Play, a three tenor date led by Doug Webb, which featured Weiskopf. Vibraphonist Behn Gillece made significant contributions to Overdrive, Weiskopf's debut for the label in 2014. And drummer Steve Fidyk laid down a stable, stimulating beat throughout Open Road, Weiskopf's recording from ...

18
Interview

Walt Weiskopf: All About the Sound

Read "Walt Weiskopf: All About the Sound" reviewed by Bob Kenselaar


What is it that drives Walt Weiskopf? It's all about the music, all about the sound.He's reached a large audience in ten years of touring with Steely Dan. He's written a half dozen books on jazz improvisation techniques and methods, and he's taught at the Eastman School of Music, Temple University and New Jersey City University, where he now heads the jazz program. We find the real key to his work, though, in the huge catalog of recordings ...

1
Album Review

Walt Weiskopf: The Way You Say It

Read "The Way You Say It" reviewed by Mark Corroto


Do jazz jukeboxes exist? I'm not referring to an online streaming service that tells you what to like. I'm talking about a mechanical box in a roadhouse you put money in, and everyone in the joint listens to your selections. If there are such establishments with said jukeboxes, I'm certain customers would select WW1, WW2, WW3, et cetera, for most of the tracks on Walt Weiskopf's The Way You Say It. The saxophonist a veteran of the big ...

9
Album Review

Walt Weiskopf: Open Road

Read "Open Road" reviewed by C. Andrew Hovan


Since 1993, tenor saxophonist Walt Weiskopf has recorded some of the most advanced and satisfying music of the jazz genre. All told he claims over fifteen albums as a leader, with original compositions forming the core material of each and every one of his releases. The fact that he is not better known among the jazz buying public is simply inexplicable, although his long-standing association with Steely Dan hopefully has been turning a few ears in the direction of Weiskopf's ...

4
Album Review

Walt Weiskopf: Open Road

Read "Open Road" reviewed by David A. Orthmann


It all starts with the sound of Walt Weiskopf's tenor saxophone. Large, keening, expansive, his tone sometimes threatens to explode and wreak havoc on everything it touches. During lyrical passages and on ballads, he scales the sound back a little, waxing sensitive, tender, even poetic, but not abandoning its core--the moderation usually doesn't last very long. Whether executing a dizzying mass of phrases, braying a long bent note, hopscotching through a convoluted passage, or playing a relatively simple, unadorned melody, ...


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