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Jazz Articles about Walt Weiskopf
Jason Forsythe: It's About Time
by Jack Bowers
It's About Time likely refers to the fact that although Jason Forsythe has been a jazz composer of note for decades, this is the first-ever recording he has released as leader of his own ensemble, in this case a world-class sextet whose heavyweight front line is manned by trumpeter Brian Lynch, tenor saxophonist Walt Weiskopf and trombonist Steve Davis. While Forsythe wrote eight of the album's nine songs--every one of which houses much to admire and commend--the ...
Continue ReadingJoel Weiskopf: New Beginning
by C. Andrew Hovan
For better or worse, it seems that any artistic endeavor that involves the true expression of raw human experience and emotion is destined to have appeal to only a small and select audience. This dilemma becomes even more daunting for the artist in today's technology-laden society where electronic communication has taken the place of face-to-face conversation. Where the musician or painter seeks to express himself by exposing passion in its natural form, so many in today's society function at a ...
Continue ReadingWalt Weiskopf European Quartet: Diamonds and Other Jewels
by Dan McClenaghan
Two distinct types of jazz album have emerged in the difficult Covid pandemic times: the do-it-yourself statements, usually recorded in a home studio, often with internet sound swapping; and the pent-up energy, post-pandemic energy bursts, musicians getting together again after a year or more of minimal in-person collaboration. Diamonds And Other Jewels, from the Walt Weiskopf European Quartet, is of the latter type. Saxophonist Weiskopf, pianist Carl Winther, bassist Andreas Lang and drummer Anders Mogensen jump out of the speakers ...
Continue ReadingJohn Fedchock NY Sextet: Into The Shadows
by Jack Bowers
If a sextet--or a group of any size--is to be measured by the sum of its parts, trombonist John Fedchock's NY Sextet succeeds with flying colors, as it embodies half a dozen of the finest jazz musicians the New York City area has to offer. As we know, however, an inclusive appraisal rests on far more than that, else the musicians could simply set their instruments onstage and await the applause. Yes, musical talent surely provides an ...
Continue ReadingJohn Fedchock NY Sextet: Into The Shadows
by Dan Bilawsky
Trombonist John Fedchock's fluid slide work, celebrated composing chops and arranger's ingenuity have been put to good use in settings both large and very small in recent years, with a big band set and two live quartet records dropping between 2015 and the present. But rather than choose one of those ensemble formats over the other this time around, he looks to a middle ground with his NY Sextet. Painting with a three-horn frontline and rhythm section, ...
Continue ReadingWalt Weiskopf: Worldwide
by C. Andrew Hovan
Back in 1992, saxophonist Walt Weiskopf made his first date for Criss Cross Jazz, Simplicity. It is one of the most daring new recordings of the period, featuring Weiskopf's incendiary playing and stellar compositions. Over the course of the next ten albums for Criss Cross culminating with 2010's See the Pyramid, Weiskopf forged an amazingly varied catalog of music. The fact that so many jazz fans slept on these releases is still totally inexplicable. Since 2002, ...
Continue ReadingWalt Weiskopf European Quartet: Worldwide
by Jakob Baekgaard
These days a lot of jazz records seem to require a musical concept or an idea that unites the compositions on the album, but it doesn't have to be so complicated. After a tour in January 2019 with his European Quartet, tenor saxophonist Walt Weiskopf went into a studio in Copenhagen with the band, and a few hours later the music on the album Worldwide was in the can. It sounds simple, but it also says something ...
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