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The Afro-Caribbean Jazz Collective: Cortadito
by Jack Bowers
The Afro-Caribbean Collective is a high-energy nonet led by Puerto Rican-born guitarist Jose Guzman. On Cortadito, the ensemble's fourth album, the accent as always is on the lively rhythms and charming melodies of Guzman's home country and nearby equatorial locales. There is one immediate problem, as Guzman writes that his composition “Orchard Downs" is the opening number, whereas the album's jacket places his “Holande Pa Uste" in the lead-off spot and lists “Orchard Downs" as the finale. From ...
Continue ReadingEthan Philion: Meditations On Mingus
by Angelo Leonardi
Questa rilettura del songbook mingusiano, conferma la potenza evocativa e l'attualità di quelle composizioni. La scelta da Ethan Philion ha privilegiato brani che testimoniamo l'impegno civile e politico del contrabbassista di Nogales e sono particolarmente d'attualità oggi. Il disco di apre con un brano dal titolo emblematico, “Once Upon A Time There Was A Holding Corporation Called Old America," che Charles Mingus non registrò mai in studio ma è presente nella registrazione live (a lungo introvabile) di At ...
Continue ReadingMatt Peterson: Better Worlds
by Hrayr Attarian
Chicago pianist Matt Peterson is a versatile artist who defies genres. He is both an accomplished, bop-based improviser as well as a sensitive interpreter of the Western classical tradition. Both elements of his style come together on the exuberant and captivating Better Worlds, a collection of 10 of his originals as well as a unique arrangement of The Beatles' “Blackbird." One of the highlights of the uniformly superb album is “Petrichor," which opens with Peterson's smoldering chords that ...
Continue ReadingTracye Eileen: You Hit The Spot
by Richard J Salvucci
The death of the Great American Songbook as a vehicle for aspiring singers is sometimes announced. Someone should tell the singers. Because this season alone has seen a crop of good recordings, most of them reviewed in AAJ, and very favorably so in the main. Tracye Eileen, a Chicago vocalist with roots in the jazz community, continues the stream to good effect. While the recording is rather brief at 29 minutes, and the live section suggests an after-the-fact ...
Continue ReadingTracye Eileen: You Hit the Spot
by Jack Bowers
You Hit the Spot is either the third or fourth album by sultry-voiced, Chicago-based vocalist Tracye Eileen. It was recorded in two sessions: one with a trio (and audience), the other with a sextet. She gets a good head start thanks to a splendid choice of material— eight blue-chip tunes, all from the Great American Songbook. Eileen fares reasonably well with each of them, spreading a bluesy blanket over what are essentially straight-ahead renditions. She has excellent ...
Continue ReadingArturo O'Farrill & The Afro-Latin Jazz Ensemble: Dreaming In Lions
by Chris May
Music for dance comes in a variety of forms. At one end of the spectrum are abstract soundscapes composed without reference to the choreography with which they share the stage; an example being John Cage's work with the choreographer Merce Cunningham. At the other end of the spectrum is music written in close collaboration with the choreographer; an example being Igor Stravinsky's work for Sergei Diaghilev's Ballets Russes, which reached its peak in 1910 with The Firebird, jointly realized by ...
Continue ReadingCarlos Vega: Art of the Messenger
by Dan McClenaghan
Tenor saxophonist Carlos Vega is a steeped-in-the-tradition fan of early bebop, displaying his passion for the genre with his nods to alto saxophonist Charlie Parker on Bird's Ticket (2016) and Bird's Up (2017), both on Origin Records. With Art Of The Messenger he shifts his focus to Art Blakey, the drummer who led the Jazz Messengers from 1955 onward for thirty-five years, helping define—in the early years—the hard bop Blue Note Records approach to jazz. Vega and his ...
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