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Jazz Articles about Trygve Seim
Trygve Seim / Andreas Utnem: Purcor: Songs for Saxophone and Piano
by John Kelman
Since emerging on the label with his own large ensemble and as part of the collaborative, more improv-heavy group The Source, saxophonist Trygve Seim has been a leading voice in the second wave of Norwegian artists who look to legacy ECM musicians like Jan Garbarek, Arild Andersen and Terje Rypdal as touchstones, but possess unmistakable voices of their own. Albums like the superb Sangam (2005) spotlighted Seim's distinctive compositional approach, taking the unorthodox instrumentation of Edward Vesala (with whom Seim ...
read moreTrygve Seim - Frode Haltli: Yeraz
by AAJ Italy Staff
Un duo molto particolare, questo dei due giovani norvegesi Trigve Seim e Frode Haltli. Un duo già visto all'opera, con piacere, al festival Jazz&Wine of Peace di Cormons e che su disco conferma, anzi perfeziona quanto di buono aveva mostrato dal vivo. Dei due, il sassofonista Trygve Seim è il più noto, impostosi grazie ai suoi eccellenti Different Rivers e Sangam (al quale, peraltro, prendeva parte anche Haltli), ma anche per le frequenti collaborazioni con artisti ECM (da Manu Katché ...
read moreTrygve Seim / Frode Haltli: Yeraz
by John Kelman
On the surface saxophone and accordion together might seem unusual, but it's really a perfect combination. Both are reed instruments driven by air--one blowing, the other compressing or expanding a bellows. Saxophonist Trygve Seim and accordionist Frode Haltli have been collaborating for some time, notably in the saxophonist's ensemble responsible for Sangam (ECM, 2004). Despite no shortage of acumen, Seim's a self-avowed improvisational ascetic whose primary focus has been detailed composition and the integration of controlled improvisation within more formal ...
read moreThe Source: The Source
by AAJ Italy Staff
“Ornette sotto ghiaccio”: questo viene in mente ascoltando le prime tracce di questo eccellente disco di The Source, quartetto scandinavo attivo dal 1993 e giunto al secondo disco per ECM, che include il sassofonista Trygve Seim, ormai sempre più onnipresente protagonista della scena nordica. Il gruppo, infatti, oltre a presentarsi molto simile già nella formazione al quartetto del fondatore del free jazz, nei primi brani ne segue le architetture, facendo ruotare attorno alle linee disegnate dal contrabbasso dell'ottimo Mats Eilertsen, ...
read moreTrygve Seim: Sangam
by Dennis Hollingsworth
Trygve Seim is a Norwegian saxophonist whose first recording, Distant Rivers received very positive press in 2001. Sangam, which means “coming together" in Sanskrit, is his second release as a leader. It is an apt title, as this recording demonstrates a vast combination of styles. The instrumentation alone gives the music a unique quality. Accordion, bass saxophone, contrabass clarinet, cello, string ensemble, tuba, french horn, trombone, clarinet, bass clarinet, trumpet, and drums converge to create a flowing, ethereal picture that ...
read moreTrygve Seim: Innovative Vanguard of a New Wave
by John Kelman
When saxophonist/composer Trygve Seim emerged on the international scene in 2000 with his critically acclaimed ECM Records debut, Different Rivers, it was clear that yet another fresh voice had emerged from the infinitely deep wellspring of Norwegian talent from which label owner/producer Manfred Eicher has been drawing for over 30 years. But whereas so much of the music coming from that part of the world revolves around a rich improvising tradition that fits tongue-in-groove with Eicher's “music of the moment" ...
read moreTrygve Seim: Sangam
by John Kelman
Sangam , or “confluence" in Sanskrit, is sometimes interpreted as “the meeting point of three rivers," an appropriate title for young Norwegian saxophonist/composer Trygve Seim's second album as a leader, where he comfortably and seamlessly blends elements of jazz, contemporary composition, and various folk traditions. It's also a fitting reference to Different Rivers (ECM, '00), a much-lauded d?but recording that introduced Seim to a broader international audience and is a clear antecedent. Lastly, it also works as a pointer to ...
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