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289

Album Review

Arild Andersen: Live at Belleville

Read "Live at Belleville" reviewed by Karl Ackermann

by Karl Ackermann

More than forty years ago, Norwegian bassist, Arild Andersen joined saxophonist Jan Garbarek and the late Finnish drummer Edward Vesala to record the groundbreaking Triptykon (ECM 1972), one of these musicians' most energized work. It's a happy coincidence that the new millennium has seen both Garbarek and Andersen--ECM artists, both--create what may be their individual masterpieces--Live at Belleville, in the bassist's case. Andersen's intervening ECM years have generated an impressive catalog of high quality work including Molde Concert (1982), Sagn ...

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1

Album Review

Arild Andersen: Live at Belleville

Read "Live at Belleville" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Colto dal vivo nell'omonimo club di Oslo, Live at Belleville è il coronamento di un tour europeo iniziato a Uppsala, in Svezia, da questo nuovo trio del contrabbassista norvegese Arild Andersen. Cambio deciso di direzione rispetto al precedente raffinato ed orchestrale Electra che segna il ritorno a una formazione asciutta e rigorosa, di stampo più jazzistico. Qui troviamo infatti un trio caratterizzato da grande equilibrio e doti tecniche. Il leader è affiancato dal sassofonista scozzese Tommy Smith e dal compagno ...

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603

Album Review

Arild Andersen: Live at Belleville

Read "Live at Belleville" reviewed by John Kelman

by John Kelman

The general international perception of Norway's jazz scene as “Nordic Cool," is, like most generalizations, inevitably distanced from truth. Atomic, The Core and Motif may possess no shortage of heat, but ECM has undeniably helped define that unmistakable Norwegian aesthetic. One of the “big four," brought to international attention in the early 1970s alongside guitarist Terje Rypdal, saxophonist Jan Garbarek, and drummer Jon Christensen, bassist Arild Andersen's ECM releases have largely avoided the kind of burning improvisational energy of his ...

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289

Album Review

The Tommy Smith Youth Jazz Orchestra featuring Joe Locke: Exploration

Read "Exploration" reviewed by John Kelman

by John Kelman

At a time when the oral jazz tradition is in increasing jeopardy, you've got to admire Tommy Smith. Berklee schooled in the 1980s, the Scottish saxophonist had a promising career in the United States. He was a member of Gary Burton's mid-1980s quintet, with the vibraphonist producing Step by Step--the first of four records Smith released on Blue Note between 1988 and 1992--featuring an all star line-up including John Scofield, Eddie Gomez and Jack DeJohnette. But after a few years ...

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280

Album Review

Tommy Smith Group: Forbidden Fruit

Read "Forbidden Fruit" reviewed by John Kelman

by John Kelman

You have to respect an artist who turns his back on the possibility of significant US exposure and returns home to his country of origin instead to give back some of what he received growing up. Scottish saxophonist Tommy Smith spent a decade in the US, studying at Boston's Berklee School of Music in the early '80s, joining Gary Burton's quintet for Whiz Kids (the vibraphonist's final ECM date), and recording a series of albums for Blue Note from '88 ...

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326

Album Review

Tommy Smith: Evolution

Read "Evolution" reviewed by John Kelman

by John Kelman

A member of vibraphonist Joe Locke's widely-acclaimed Four Walls of Freedom, Scottish saxophonist Tommy Smith is finally beginning to crack a broader international market. The surprise is that it's taken this long. Since returning home from the States in the late '80s, Smith has become something of a cottage industry in the UK, creating the Scottish National Jazz Orchestra, whose purview ranges from repertory classics from the likes of Charles Mingus, Count Basie and Miles Davis, to more contemporary fare ...

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154

Album Review

Tommy Smith: Blue Smith

Read "Blue Smith" reviewed by Glenn Astarita

by Glenn Astarita

Scottish saxophonist Tommy Smith boasts a corpulent and ringing tone via his zealous articulation of extended notes and stylish mode of execution as he often melds tenacity with grace and eloquence. Here, Smith unites with guitarist John Scofield, bassist James Genus and drummer Clarence Penn for a jazz/blues based venture, aptly titled, Blue Smith.

In some instances, the pairing of Smith and Scofield does indeed rekindle thoughts of the guitarist’s now legendary early 90’s teaming with tenor sax icon Joe ...

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