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Billy Strayhorn, Tom Waits, Norah Jones & Back Alley Brass Band

by Joe Dimino
With the power of the New Orleans-fueled Kansas City-based band Back Alley Brass Band, we begin the 860th Episode of Neon Jazz and music from their release Last Chance to Dance. We keep the New Orleans vibe going with a combination of the legendary Tom Waits with the Preservation Hall Jazz Band with Tootie Ma is a Big Fine Thing." From there, we get into a trove of new music from Brian Landrus, Greg Skaff, Adam Larson and Norah Jones. ...
Continue ReadingTom Waits: Ringmaster Of The Elegant Riot

by Mick Raubenheimer
[For Tammi Tam.] Somewhere change is jingling, there is an accordion moaning softly in some corner somewhere, a barstool is creaking--somewhere foul glasses are being grimly emptied... The dark eerie carnival is rising once more--hurry your children into safe dreams, lock the wine cabinet; tuck your long-lost sweethearts into forgettance. Tom Waits is here, those sub-human genius features are sizing you up, asking you how your night's been; he's pouring himself a drink (he doesn't ask). ...
Continue ReadingGuido Harari, dietro al mirino come un jazzista

by Luca Muchetti
"Potresti dire che sono un fotografo jazz, alla faccia di chi mi definisce da sempre un fotografo rock!." Guido Harari scherza volentieri sulla sua nomea di fotografo musicale," autore di alcuni degli scatti entrati nell'immaginario collettivo e che ritraggono artisti come David Bowie, Tom Waits, Lou Reed, Patti Smith, Leonard Cohen, Fabrizio De André (alcuni dei suoi ritratti più celebrati sono riprodotti nella galleria abbinata a questa intervista: Guido Harari: A Primer, ma la lista è praticamente infinita).
Continue ReadingRickie Lee Jones & Tom Waits: Salute Ella & Louis

by Ken Dryden
Rickie Lee Jones and Tom Waits have been prominent figures in the world of pop since their emergence in the mid-1970s. While the folksy Jones has had an eclectic career, her shrill vocals have likely turned off as many listeners as those who enjoy her work, though her early 1990s CD Pop Pop (Geffen, 1991) showed that she was adventurous enough to tackle standards. Waits emerged looking like a denizen of Skid Row and sounded like one as well, particularly ...
Continue ReadingTom Waits: Real Gone

by Nenad Georgievski
With each successive album, Tom Waits has become harder to pin down. He is unorthodox and approaches things differently; he is strange, and as a result of that his music is strange, different and unorthodox. His last two (simultaneously released) albums ( Alice and Blood Money ) contained pieces specifically written for the theatre and found him in a distinctly theatrical (Brechtian) mode. Real Gone is Waits's most vital album in twelve years as he moves away from the feel ...
Continue ReadingTom Waits: Small Change

by Trevor MacLaren
Tom Waits Small Change Asylum 1976
Tom Waits is unlike any singer/songwriter before or since he burst on the scene with Closing Time in 1973. His music has always been original and eclectic, guiding his audience along an evolution from drunken skid row crooner to his present role as western music's deconstruction magician. Throughout a catalogue that spans thirty plus years of gushing genius, jazz has always been a foundation for much of Waits' ...
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