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Jazz Articles about Tom Christensen
Pete McGuinness: Mixed Bag
by Pierre Giroux
With Mixed Bag, Pete McGuinness once again affirms his place among the elite of modern big band composers and arrangers, presenting a luminous tapestry of jazz idioms that ranges from the exuberantly traditional to the adventurously modern. As the title suggests, the album is a delightful potpourri. However, rather than feeling scattered or unfocused, McGuinness weaves his eclectic inclinations into a coherent and emotionally engaging statement. He brings to bear not only the encyclopedic command of a seasoned jazz craftsman ...
Continue ReadingThe Pete McGuinness Jazz Orchestra: Mixed Bag
by Jack Bowers
Award-winning arranger Pete McGuinness has chosen to name the fourth recording by his stellar New York-based Jazz Orchestra Mixed Bag, a term whose meaning may be construed as positive or less so, depending on the context. As he explains in the album's liner notes, McGuinness accentuates the positive, writing that to him, “Variety has always been the spice of life. I don't like the feeling of being pigeon-holed into a certain bag...For this project...I've included many 'bags' that I love ...
Continue ReadingRyan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingSpin Cycle: Spin Cycle III
by Mark Corroto
The quartet we know as Spin Cycle delivers III, the band's follow up to Assorted Colors (Sound Footing Records, 2018). Here, the compositional partners Scott Neumann and Tom Christensen exercise their omnivorous tastes on a broad --ranging spectrum of sound. Like their previous two albums, the pair employ guitarist Pete McCann and bassist Phil Palombi, two über sidemen to accomplish their insatiable need to explore multiple genres and eras. There is something here for everyone. The opening track ...
Continue ReadingSpin Cycle (Tom Christensen & Scott Neumann): Spin Cycle III
by Dan McClenaghan
Spin Cycle III, by the group Spin Cycle, co-led by drummer Scott Neumann and saxophonist Tom Christensen, opens in a high octane mode, via Neuman's sizzling drums, Pete McCann's stinging guitar and Phil Palombi's muscular, juiced-up bass laying down a precision foundation, with the crisp articulation of Christensen's tenor sax out front. The tune is “Churn," written by the saxophonist, and it has a fine focus of a hot fusion romp. “Drain The Swamp," another composition from Christensen, ...
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