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Jazz Articles about Terry Gibbs

1
Album Review

Terry Gibbs Dream Band: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Angelo Leonardi


«Non credo che ci sia mai stata una band migliore di questa, compresa la mia». Mel Lewis espresse queste parole per la mitica orchestra che il vibrafonista Terry Gibbs guidò in California tra il 1959 e il 1961 e fu chiamata “Dream Band" per l'entusiasmo che suscitò tra i fortunati che l'ascoltarono dal vivo. Giudizi così perentori non vanno mai presi alla lettera ma ascoltando queste inedite registrazioni non li giudicherete troppo esagerati. Stan Kenton espresse simili opinioni ...

26
Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Jack Bowers


In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs and the band moved to a second club, the Sundown. The band was successful, drew large crowds, and was soon recording, first for Norman ...

11
Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Richard J Salvucci


Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med Flory. Others did not. And so the story went. It would have been tempting to ask if, perhaps, Gibbs had ...

17
Album Review

Gerry Gibbs: Songs from My Father

Read "Songs from My Father" reviewed by Edward Blanco


Drummer Gerry Gibbs pays tribute to father Terry Gibbs on the amazing nineteen-track double-CD set Songs from My Father featuring a guest appearance by the ninety-seven-year-old vibraphonist on one track, among other surprises, including the last studio performance by the late jazz icon Chick Corea, who also wrote “Tango for Terry" for this homage and is the only non-Gibbs composition on the album. Son Gerry had plenty of his father's music to choose from when contemplating this project but chose ...

31
Album Review

Gerry Gibbs Thrasher Dream Trios: Songs from My Father

Read "Songs from My Father" reviewed by Jack Bowers


Songs from My Father. What a marvelous idea!—and not simply for the sentiment. Drummer Gerry Gibbs' father happens to be Hall of Fame vibraphonist (and sometime song writer) Terry Gibbs, who is still on the scene at ninety-seven (and, in fact, making a guest appearance on the first disc of this superlative two-CD set). Eighteen of the elder Gibbs' songs, written between 1949 and 1985 (and one more, “Tango for Terry," by the late Chick Corea) are performed by four ...

4
Album Review

Terry Gibbs: 92 Years Young: Jammin' At The Gibbs House

Read "92 Years Young: Jammin' At The Gibbs House" reviewed by Jack Bowers


"92 Years Young." Sometimes that's an exaggeration. On the other hand, when applied to vibraphonist Terry Gibbs it may well be an understatement. Gibbs was indeed a mere six months shy of his ninety-second birthday when “Jammin' at the Gibbs House" was recorded in his living room in April 2016. Close your eyes, however, and it's the 1940s again, and Gibbs is jammin' with Woody Herman's Second Herd, or the '50s, and he's presiding over his high-powered Dream Band in ...

8
Album Review

Terry Gibbs: 92 Years Young: Jammin' At The Gibbs House

Read "92 Years Young: Jammin' At The Gibbs House" reviewed by Dan Bilawsky


For a brief moment, put aside the fact that legendary vibraphonist Terry Gibbs is now ninety-two years old. Just listen to the YouTube video at the bottom of this piece--lyrical, swinging, and vibrant as any jazz out there--and take it in. It's something beautiful, right? Nothing radical or groundbreaking at all, but most certainly jazz of the highest order. Now, go back to Gibbs' age. At ninety-two, he's at a point where most of his peers are either gone from ...


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