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Taylor Ho Bynum and Harris Eisenstadt in London: A Second Anglo/American Convergence
by John Sharpe
Convergence Quartet The Vortex London, U.K. April 27, 2009
Last sighted on these shores in the autumn of 2006, the success of the Convergence Quartet 's inaugural meeting has now borne the fruit of a further tour for cornetist Taylor Ho Bynum, drummer Harris Eisenstadt, and the up-and-coming English pairing of pianist Alexander Hawkins and bassist Dominic Lash. Since the band's first concert, Bynum has moved ever further from the ...
Continue ReadingHarris Eisenstadt: Guewel
by AAJ Italy Staff
Un po' di Art Ensemble of Chicago per l'africanità recuperata e fatta esplodere attraverso il free, un poco di World Saxophone Quartet per la sapienza nella armonizzazione dei fiati, un pizzico di Brotherhood of Breath per l'abilità nel dar risalto alla gioiosità melodica dei brani. Ma riassumere Guewel in questo modo sarebbe riduttivo e ingiusto nei confronti di Harris Eisenstadt, batterista e compositore di Toronto che riunisce in questo album alcune delle voci più interessanti della scena creativa nordamericana. Perché ...
Continue ReadingTaylor Ho Bynum & Mary Halvorson: Quartet Moscow (2008) & The Double Trio
by Kurt Gottschalk
Anthony Braxton Quartet Moscow (2008) Leo 2008 Stephen Haynes & Taylor Ho Bynum The Double Trio Engine Studios 2008
Having both studied under Anthony Braxton at Wesleyan University and now playing in his ensembles, Taylor Ho Bynum and Mary Halvorson have established themselves in town working together in various other groupings. ...
Continue ReadingTaylor Ho Bynum Sextet: Asphalt Flowers Forking Paths
by Glenn Astarita
Since his studies and performances with new music and improvisational pioneer Anthony Braxton, hornist/composer Taylor Ho Bynum has assumed many musical hats amid his incredibly all-embracing vernacular. Whether it's avant chamber-jazz, large scale orchestra fare or variable ensemble groupings, his ascent towards the upper echelon of today's forward-thinking artists cannot be understated. Bynum's ability to seamlessly merge distinct genres or thought processes into a singular identity is often astonishing. Sure enough, Asphalt Flowers Forking Paths drives these aspects home in ...
Continue ReadingTaylor Ho Bynum Sextet: Asphalt Flowers Forking Paths
by Troy Collins
Cornetist Taylor Ho Bynum has garnered a considerable amount of acclaim since his stunning debut as an ensemble leader on Other Stories (Three Suites) (482 Music, 2005). Widely considered composer Anthony Braxton's most promising former student, Bynum continues to work with his former mentor, acting as one of his key collaborators, while maintaining a distinct identity as a singular composer.
Although Bynum shares some of Braxton's esoteric qualities (the modular structure of the whYeXpliCitieS" suite, for example), he ...
Continue ReadingTaylor Ho Bynum: A Trickster Sensibility
by Chris May
Is Taylor Ho Bynum the most extraordinary cornet player to emerge since Louis Armstrong? It's beginning to look that way. With a vast sonic vocabulary, blessed with soaring lyricism, fearlessly forward looking yet with a hotline to gut bucket primitivism, Bynum, still in his early 30s, is already a singular and thrilling artist.
Two late 2007/early 2008 sessions--Asphalt Flowers Forking Paths, featuring Bynum's own sextet, and High Definition, made as a member of bassist Joe Morris' quartet--grab the ...
Continue ReadingTaylor Ho Bynum: Asphalt Flowers Forking Paths
by Robert Iannapollo
Since he started teaching at Wesleyan University in the '90s, Anthony Braxton has found a large number of players who have embraced his compositional and improvisational ideas. Cornetist Taylor Ho Bynum has been among the most active in Braxton's galaxy. Bynum has also been directing a large array of his own ensembles; of those, his sextet is one of the most fruitful. Populated by other students of Braxton, this group released the superb Middle Picture (Firehouse 12, 2007).
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