Jazz Articles about Tatum Greenblatt

About Tatum Greenblatt

Album Review

"The jazz bandstand is where true democracy lives," the great saxophonist and composer Jimmy Heath told a young Helen Sung. “Everyone must understand their role and come prepared by doing the hard work of study and practice," he said. “Each person will get to say their piece, but it is in the act of integrating as a band that the musicians ultimately create something bigger, richer, and deeper." Oracles launches into a time and place where divisions are deep and ...

Album Review

Wayne Alpern: Gotham

by Jack Bowers
November 24, 2024

There are a number of bright and interesting moments on New York-based arranger Wayne Alpern's album, Gotham, wherein he makes good use of a well-polished tentet on several generally handsome and engaging charts. Alpern's choice of music is eclectic, ranging from Tchaikovsky to Jobim, Rodgers and Hart to Stephen Sondheim, Hoagy Carmichael to Horace Silver, Alex North to John Lennon and Paul McCartney. All of which should be anticipated from a music-lover whose training and background ranges from classical to ...

Album Review

Glenn Close & Ted Nash: Transformation

Read "Transformation" reviewed by Paul Rauch

by Paul Rauch
May 19, 2021

Transformation is a multi-disciplinary work from saxophonist/composer Ted Nash, and iconic actress Glenn Close, exploring the multi-faceted and abstract theme of transformation. The works included examine the theme from both universal and individual conceptions. Music and literature at its best is clearly transformative for anyone experiencing it. Transformation is by essence, the highest and most illuminating expression of change. Nash embraced the project by creating a colorful and illustrative collection of pieces, embracing Close's curated literary selections recited by the ...

Album Review

Glenn Close/Ted Nash: Transformation

Read "Transformation" reviewed by Jack Bowers

by Jack Bowers
April 19, 2021

When confronted by an album whose tracks include the names “Creation" (Parts 1 and 2), “Preludes for Memnon," “Wisdom of the Humanities" and “Reaching the Tropopause," among others, one braces for whatever may transpire, buoyed by the thought that with Glenn Close, Ted Nash and the Jazz at Lincoln Center Orchestra on board, how displeasing could it be? The verdict: not at all displeasing—but it must be appraised on its own terms, as a series of philosophical and hopefully transformative ...

Album Review

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Jack Bowers

by Jack Bowers
November 20, 2020

A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser auditors, however, most often reserve judgment, preferring to take an impartial stance and allow the music to speak for itself. And that is where ...

Album Review

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Edward Blanco

by Edward Blanco
November 13, 2020

New York-based trombonist Willie Applewhite birthed the idea of forming a new big band comprised of friends, and in 2016 The Uptown Jazz Tentet was established, co-led by trumpeter Brandon Lee and trombonist James Burton III. After playing to live audiences for several years, What's Next is the group's debut recording, and what an outing it is. Grounded in the traditions of the Billy Strayhorn, Gill Evans, Duke Ellington big bands and others, as large ensembles go, these ten players ...

Album Review

George DeLancey: Paradise

Read "Paradise" reviewed by Mark Corroto

by Mark Corroto
June 12, 2020

Is it acceptable to label a musical recording as “delicious"? If so, it describes bassist George DeLancey's sophomore release Paradise. He presents eight compositions, half from his pen and the remaining from Oscar Pettiford, John Lewis, Thelonious Monk, and Jerome Kern/Oscar Hammerstein. The eight tracks, none of which tops five minutes, are well balanced with solos commensurate with that concept. Delancey is a young man (b.1988) with a very old soul. His music brings to mind the aforementioned ...