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Jazz Articles about Stan Getz

442
Album Review

Stan Getz: At The Shrine

Read "At The Shrine" reviewed by Chris May


This latest reissue in the Verve Originals series--which in early 2009 brought us the superb five-CD box set Stan Getz: The Bossa Nova Albums--tends to be overlooked when lists of tenor saxophonist Stan Getz's early classics are compiled. A 1954 live recording from The Shrine in Los Angeles, it was originally released on Norman Granz's Norgran label over two LPs. This CD release includes in its entirety a 53-minute concert set by the Getz quintet plus another 17 minutes recorded ...

344
Album Review

Stan Getz: Dynasty

Read "Dynasty" reviewed by Chris May


Verve's Originals series, which in late 2008 brought us tenor saxophonist Stan Getz's wonderful box set The Bossa Nova Albums (Verve, 2008), follows through with a remastered reissue of Dynasty, a double album recorded in 1971, a decade or so after Getz gave jazz its final, sustained hurrah in the pop charts with bossa nova. Relatively little known in the US, in part because the quartet which made it was refused permission to perform in the country, Dynasty is an ...

1,067
Album Review

Stan Getz: Stan Getz: The Bossa Nova Albums

Read "Stan Getz: The Bossa Nova Albums" reviewed by Chris May


Bossa nova was jazz's final moment in the hit parade sunshine before The Beatles swept across the world in the mid-1960s and changed everything. A blend of chilled-out Brazilian samba and cool jazz created by an emergent generation of Brazilian songwriters led by Antonio Carlos Jobim and Joao Gilberto, bossa nova (meaning “new flair" or “new trend" in Portugese) burned brightly in Europe and the US between 1962/64. Tenor saxophonist Stan Getz was its most commercially successful and musically substantial ...

690
Extended Analysis

Stan Getz: At The Shrine

Read "Stan Getz: At The Shrine" reviewed by Chris May


> Stan Getz At The Shrine Verve 1955

Bookended between The Complete Roost Recordings (Verve, 1950-55) and The Steamer (Verve, 1956), this November 8, 1954 live recording from the Shrine Auditorium in Los Angeles is often overlooked when checklists of tenor saxophonist Stan Getz's early classics are compiled. Originally released over two LPs, it includes in its entirety an outstandingly vibrant 53 minute set by the Getz quintet--in a package tour ...

423
Album Review

Stan Getz: Jazz Giants '58

Read "Jazz Giants '58" reviewed by Samuel Chell


Although one could quarrel easily enough with the title, this meeting rises above the usual jam session produced by impresario Norman Granz for his Verve label because of the personnel. Gerry Mulligan, Sweets Edison, Oscar Peterson (practically the “house pianist" at Verve), Ray Brown--these are inimitable and personal instrumental voices in American music, and each speaks with sufficient authority to be considered “leader" on the date. But it's Stan Getz who makes the lasting impression.

Getz--a brilliant, “natural" ...

388
Album Review

Stan Getz & The Lighthouse All Stars: Live

Read "Live" reviewed by Nic Jones


Tenor saxophonist, Stan Getz, had a way with music that was always pretty uncompromising. Capable of producing a tone of exceptional beauty, he often relied on it to disguise a certain imperious quality in his work. If this was indeed the case, then it was prevalent for the majority of his career. However, musically speaking, he was at his hungriest in the early 1950s and this set is a nice companion to The Complete Roost Recordings (Blue Note,1950-54).

It documents ...

350
Wide Open Jazz and Beyond

Stan Getz

Read "Stan Getz" reviewed by Peter Madsen


I still remember the phone call as if it were yesterday. It was twelve years ago and on the other end of the line from California was the voice of one of the finest tenor saxophone players in jazz history. It was the great Stan Getz and I was overwhelmed to say the least when I heard him ask me if I was free to go to Europe with him in three days. Of course I knew of Stan's greatness ...


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