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About Shelly Manne

302

Film Review

Jazz on the West Coast: The Lighthouse

Read "Jazz on the West Coast: The Lighthouse" reviewed by Tom Greenland

by Tom Greenland

Jazz On The West Coast: The Lighthouse Rose King Productions 2006 Jazz on the West Coast: The Lighthouse is a time capsule/oral history of the legendary Southern California venue active throughout the '50s. A collaboration between impresario John Levine and bassist/musical director Howard Rumsey, the Hermosa Beach club became the hotspot of the cool school, regularly featuring such artists as Hampton Hawes, Teddy Edwards, Shelly Manne, Shorty Rogers, Buddy Collette, Jimmy Giuffre, Gerry Mulligan, ...

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845

Rhythm In Every Guise

Shelly Manne & His Men At The Black Hawk

Read "Shelly Manne & His Men At The Black Hawk" reviewed by David A. Orthmann

by David A. Orthmann

Two decades after Shelly Manne's untimely death at the age of sixty-four, the unassuming artistry of the once popular bandleader and widely recorded sideman is largely overlooked, if not forgotten. Manne's utilitarian drumming contains elements from stylists ranging from Dave Tough, to Papa Jo Jones, to Kenny Clarke. Befitting a musician who spent his formative years playing with ensembles of all kinds and participating in jam sessions instead of practicing rudiments and licks by himself, his drumming doesn't clamor for ...

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464

Reassessing

Small Change

Read "Small Change" reviewed by Trevor MacLaren

by Trevor MacLaren

Tom Waits is unlike any singer/songwriter before or since he burst on the scene with Closing Time in 1973. His music has always been original and eclectic, guiding his audience along an evolution from drunken skid row crooner to his present role as western music's deconstruction magician. Throughout a catalogue that spans thirty plus years of gushing genius, jazz has always been a foundation for much of Waits' ideological structures. His seventies output on David Geffen's Asylum label is not ...

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487

Extended Analysis

Shelly Manne & His Men: Yesterdays

Read "Shelly Manne & His Men: Yesterdays" reviewed by David A. Orthmann

by David A. Orthmann

Shelly Manne & His Men Yesterdays Pablo 2003

Shelly Manne, who died suddenly of a heart attack on September 26, 1984, left behind an impressive body of recorded work as a leader and sideman. Like Dave Tough, one of his formative influences, Manne was a musician first and drummer second. Evincing an unusually nuanced approach to the trap set, he had no interest in technique for its own sake, instead tailoring his ...

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161

Album Review

Shelly Manne & His Men: Yesterdays

Read "Yesterdays" reviewed by Russell Moon

by Russell Moon

Shelly Manne took his Men on a European tour with Norman Granz's Jazz at the Philharmonic organization in the winter of 1960. Along the way, Granz recorded the quintet's February 22 (Zurich) and March 2 (Copenhagen) gigs. Manne was a Contemporary Records artist at the time; however, Fantasy Records has acquired the rights to both Granz's recordings and the Contemporary catalogue, so these dates can today be issued without record company conflict.

Fantasy has released five songs from the two ...

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127

Album Review

Shelly Manne & His Friends: Li'l Abner

Read "Li'l Abner" reviewed by Derek Taylor

by Derek Taylor

Breaking stride with many of his jazz contemporaries, Shelly Manne always had an ear attuned toward popular entertainment. In the 1950s, Broadway musicals, film scores and television shows were the fodder of the day--and the drummer regularly mined these sources for material. The Contemporary label was ready and willing to release the results of these jazz-commercial music hybrids. Just reference the clutch of Manne-led dates that yielded albums such as My Fair Lady, Peter Gunn and the recently reissued Checkmate. ...

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163

Album Review

Shelley Manne and his Friends: Modern Jazz Performances of Songs From Li'l Abner

Read "Modern Jazz Performances of Songs From Li'l Abner" reviewed by David Rickert

by David Rickert

Sometimes mediocre albums can be more frustrating than lousy albums, simply because one can see the possibility of a great performance lurking behind the clouds. Shelley Manne certainly could have followed his best-selling jazz adaptation of My Fair Lady with a better choice than Li’l Abner, a lackluster musical with a Broadway run shorter than the playing time of the album.

The indifference with which the public greeted it should come as no surprise; Li’l Abner features ...

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